Exclusive: Cinema Guild Acquires Joshua Bonnetta’s The Two Sights, Making U.S. Premiere at Art of the Real

Following its premiere at the Berlin International Film Festival earlier this year, Cinema Guild has acquired all North American distribution rights to Joshua ...

Love and Monsters Review: Dylan O’Brien Leads a Well-Rounded Adventure Rooted in Reality

We're seven years past the apocalypse. Eight years since the world banded together to send every nuclear missile on Earth into the sky to stop an asteroid hell...

On the Rocks Review: Sofia Coppola Takes a Pleasurable Jaunt Through NYC

A well-modulated vision of the fight against encroaching malaise or mere trifle dressing itself up? Depends on the scene. But trifles have their place and aute...

New to Streaming: The Assistant, Yes, God, Yes, The Rental, Metrograph Digital & More

With a seemingly endless amount of streaming options—not only the titles at our disposal, but services themselves–each week we highlight the noteworthy titles ...

Radioactive Review: Rosamund Pike Fights for Recognition in Marie Curie Biopic

You can't tell the story of Marie Curie's genius without also touching upon the complex ramifications of the scientific work she accomplished. As her husband a...

Sundance Film Festival 2021 Announces First Details, Including Digital Approach

As all film festivals have had to reckon with what their respective event will look like in a coronavirus-inflicted world, last week we got word on what Toront...

Locarno Spotlights New Films from Lucrecia Martel, Lisandro Alonso, Lav Diaz, Wang Bing, Miguel Gomes & More

Locarno Film Festival will not be going ahead as usual this year, but the festival is still aiming to support filmmakers from around the world whose projects w...

Films from Abbas Kiarostami, Noah Baumbach & More Coming to The Criterion Collection in July

We already got details on The Criterion Collection's major release this July–a seven-disc Bruce Lee box set–but that's not all of the cinematic goodness they w...

Inside the Revolutionary Visual Effects Process of The Irishman

Martin Scorsese gave ILM special effects supervisor Pablo Helman the script for The Irishman in 2015 on the set of Silence, and he was hooked. It took the visu...

Color Out of Space Director Richard Stanley on Staying True to Lovecraft and Homaging The Thing

After directing two of the most genuinely idiosyncratic genre movies of the 1990s: Hardware and Dust Devil—the former is a frenzied cyberpunk dy...