Following The Film Stage's collective top 50 films of 2022, as part of our year-end coverage, our contributors are sharing their personal top 10 lists.
Thre...
For our most comprehensive year-end feature we’re providing a cumulative look at The Film Stage’s favorite films of 2022. We’ve asked contributors to comp...
Filmmakers are not their films, but Mia Hansen-Løve continues drawing the assumption. Her eighth feature, One Fine Morning, extends a series of semi-autobiogra...
After crafting one of the most playfully inventive lockdown films with this year's The Tsugua Diaries (co-directed by Maureen Fazendeiro), Portuguese director ...
Just two days before Sundance Film Festival will unveil its lineup, the other major January Utah festival has released theirs. Now in its 29th iteration, next ...
In order to best explain the field of ethnomethodology, which studies how social order comes to happen through the actions of individuals, sociologist Harold G...
The longest answer you’ve ever received might as well come from Tony Kushner, whose status American writer par excellence exceeds most known precedent or (full...
At a brisk 60 minutes, Annie Ernaux and David Ernaux-Briot’s mother-son collaboration The Super 8 Years doesn’t leave time for introductions. Ernaux, a recent ...
In the middle of the 1970s, Sergei Parajanov was killing time. Imprisoned for what the authorities considered subversive activities (he was, amongst other thin...
It was hard to picture how Rob Zombie’s film adaptation of The Munsters might play. Would it be, say, a profanity-laden '70s period piece where Grandpa Munster...