The Film Stage - Page 97

Bas Devos on Here, the Strange Power of Moss, and Bringing Compassion to Cinema

Emerging on the international cinema scene with a trio of tender yet emotionally exacting features in Violet, Hellhole, and Ghost Tropic, Belgian director Bas ...

Get Your Animorphs Fix in U.S. Trailer for The Animal Kingdom Starring Romain Duris & Adèle Exarchopoulos

While the Animorphs franchise may not be what it was in its late 1990s heyday, French director Thomas Cailley has your fix with his new thriller The Animal Kin...

Celine Song, Kogonada, Dardennes, Gia Coppola, Paul Greengrass & More Announce Next Films

Following up her Best Picture-nominated Past Lives, Celine Song has officially unveiled her next feature. Starring Dakota Johnson, Chris Evans, and Pedro Pasca...

Rotterdam Review: Restlessly Inventive, Dream Team Pushes Cinema Toward New, Surreal Paths

A few weeks ago, as The Sweet East started gracing theatres across the States, Reverse Shot ran a sprawling conversation between critic K. Austin Collins and c...

Listen to Peter Bogdanovich Interview Guillermo del Toro and Quentin Tarantino on New, Posthumous Podcast One Handshake Away

This was a well-kept secret. Two years since his passing we've learned of Peter Bogdanoivch's podcasting project One Handshake Away, which saw the late-in-life...

Stream Bertrand Bonello’s Original Score for The Beast

So's begun the march to 2024's first major film. Just a week since Janus and Sideshow announced Bertrand Bonello's The Beast will begin its U.S. run on April 5...

New Trailer for Love Lies Bleeding Highlights the Lesbian Bodybuilding Neo-Noir of the Year

One of the most purely entertaining viewing experiences at Sundance Film Festival this year was Rose Glass' Love Lies Bleeding, which is quite a level up in te...

Rotterdam Review: Toshihiko Tanaka’s Rei is an Ambitious Directorial Debut That Draws from Hamaguchi

It was more than eight years ago that the virtually unknown Ryusuke Hamaguchi premiered Happy Hour, a five-hour narrative masterclass about four thirty-somethi...

Ennio Review: A Simplistic Overview of a Towering Career

“A director can’t understand the final result from a description. You cannot describe music; it needs to be listened to.” So says Ennio Morricone in one of man...

The Monk and the Gun Review: Bhutan’s Oscar Entry is a Too-Gentle, Offbeat Crime Caper Meets Political Dramedy

There is very little written in the English language about the cinema of Bhutan, with only the broadest overviews of this still-emerging industry to be found a...

News

Léa Seydoux, Lee Kang-sheng, Margaret Qualley, Steven Yeun, Natalie Portman, Armie Hammer & More Set Next Roles

Exclusive: Paul Schrader’s Next Films Involve a Pederast Professor and a Wall Street-Set Erotic Thriller

2024 Gotham Awards Nominations Unveiled

Trailers

Michel Gondry Returns to Animation in First Trailer for Maya, Give Me a Title

Steven Soderbergh Tells a Ghost Story in New Trailer for Presence

Exclusive Trailer for Jōhatsu, a Lithuanian Thriller Exploring a Japanese Phenomenon

Reviews

Juror #2 Review: Courtroom Thriller Represents the Best from Clint Eastwood’s Late Era

The Graduates Review: A Melancholic Look at a Community Bonded by Tragedy

AFI Fest Review: Robert Zemeckis’ Here Plays Like the Anti-Boyhood

Features

17 Films to See in November

The Best Movies Now Playing in Theaters

Tony Leung, Johnnie To, and Chiara Mastroianni Talk Cinema’s Future as the 2024 Tokyo International Film Festival Begins

Interviews

“Nobody Ever Gave Me Anything”: Alan Rudolph on Robert Altman, Bruce Willis, Kurt Vonnegut, and Resurrecting Breakfast of Champions

Soundtrack to a Coup d’Etat Director Johan Grimonprez on a Jazz-Fueled, Kaleidoscopic Vision of Displaced Blackness

The Making of the Indian Sci-Fi Box-Office Sensation Kalki 2898 AD

Podcasts

The B-Side – Vincent Price (with Gavin Mevius)

The B-Side – Tim Burton (with Maria Lewis)

The Film Stage Show Farewell Episode – Megalopolis

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