The Film Stage - Page 95

Exclusive Poster for Alain Guiraudie’s Misericordia Puts Blood on the Body Count

That it has been nine months since Alain Guiraudie's Misericordia premiered at Cannes should do nothing to diminish the excitement of its U.S. release finally ...

Berlinale Review: Yunan Lacks the Substance to Fully Sing

The fact that only two German films were selected to compete at the 75th Berlinale raised some eyebrows and sparked interest in the pair of sophomore features ...

New to Streaming: The Brutalist, The Room Next Door, The Last Showgirl, Companion & More

Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past r...

NYC Weekend Watch: Hideaki Anno, Claude Chabrol, Pale Flower & More

NYC Weekend Watch is our weekly round-up of repertory offerings. IFC CenterHideaki Anno's Love & Pop plays in a new restoration; Herzog's Nosferatu, Mul...

The Monkey Review: Osgood Perkins Returns with a Crafty, Comic Kill Spree

In one of many well-executed nods to Once Upon a Time in Hollywood, Cinerama-style red and blue credits play over a black screen to sizzling '60s surf rock, a ...

Grand Tour Trailer: Miguel Gomes’ Mesmerizing Odyssey Arrives This March

Miguel Gomes, the Portuguese filmmaker behind The Tsugua Diaries, Arabian Nights, and Tabu, made his long-awaited return at last year's Cannes Film Festival wi...

Berlinale Review: All I Had Was Nothingness Perfectly Complements Claude Lanzmann’s Shoah

When reading Claude Lanzmann’s 2009 memoir The Patagonian Hare, director Guillaume Ribot was struck by insights into making the monumental Shoah. The book ...

Pet Shop Days Trailer: Olmo Schnabel’s Martin Scorsese-Backed Directorial Debut is Coming to Theaters This March

Premiering back at the 2023 Venice Film Festival, Olmo Schnabel's directorial debut Pet Shop Days went on to play at Chicago International Festival, SXSW, and ...

Berlinale Review: Kontinental ’25 Shows Radu Jude Has Nothing Left To Prove

“The id grows tedious,” art critic Jackson Arn wrote recently, “when left to speak too freely.” The Romanian filmmaker Radu Jude keeps his in check by grou...

Spike Lee Shares First Look at Highest 2 Lowest and Confirms Summer 2025 Release

Spike Lee's major year already kicked off in a big way at the Super Bowl with a tie-in to one of his most underappreciated films and now the filmmaker is finis...

News

The Criterion Channel’s January Lineup Features Paul Thomas Anderson, Kleber Mendoça Filho, Terence Stamp & More

The Criterion Collection’s March 2026 Lineup Features Killers of the Flower Moon on 4K

Sundance Film Festival Unveils 2026 Lineup

Trailers

Tom Cruise Wants to Save Humanity in First Teaser for Alejandro G. Iñárritu’s Digger

Pedro Almodóvar Returns to Spain in First Trailer for Bitter Christmas

Jessica Chastain Begins a Dangerous Affair in First Trailer for Michel Franco’s Dreams

Reviews

Is This Thing On? Review: Bradley Cooper’s Gentle Film About Marital Strife

Marty Supreme Review: Timothée Chalamet Reaches a New Pinnacle in Josh Safdie’s Propulsive Drama

Cover-Up Review: The Most Important American Documentary of the Year

Features

The 100 Most-Anticipated Films of 2026: Part Two

The 100 Most-Anticipated Films of 2026: Part One

The Best Movies Now Playing in Theaters

Interviews

“The Story is Told by Faces”: Darius Khondji on the Cinematography of Marty Supreme and His Prolific Year

“It’s a Mission: Impossible”: Bi Gan on the Long Journey and Long Takes of Resurrection

“We’re Terrible Esthetes”: Dennis Cooper and Zac Farley on Room Temperature, Home Haunts, and the Artist’s Life

Podcasts

The B-Side Ep. 173 – James L. Brooks (with Adam Drosin)

The B-Side Ep. 172 – Daniel Craig (with Gavin Mevius)

The B-Side Ep. 171 – Richard Linklater (with Ryland Aldrich)

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