The Film Stage - Page 93

The B-Side – Amy Irving and Peter Riegert on Crossing Delancey

Welcome to The B-Side! Here we talk to movie stars! About a movie that people love and the hidden gems they've also made! Conor and I were lucky enough to s...

New to Streaming: I’m Still Here, All We Imagine as Light, Trap, Every Little Thing & More

Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past r...

NYC Weekend Watch: Scorsese Selects, Nightshift, Lou Ye & More

NYC Weekend Watch is our weekly round-up of repertory offerings. Roxy CinemaMartin Scorsese has programmed Living, Breathing New York, which starts with Sha...

Andrew Davis on His New Novel Disturbing the Bones, Remembering Gene Hackman, and the Difficulties of Trying to Get Movies Made Today

We love speaking with filmmaker Andrew Davis. In late 2023 The Fugitive director came on our podcast The B-Side to discuss a slew of hidden gems as well as the...

Exclusive Trailer and Poster for Love Hotel Restores Shinji Somai’s Pinku Classic

Does the English language contain six sweeter words than "A Pinku Classic from Shinji Somai"? The last couple of years have seen his work restored and properly...

The Actor Review: André Holland is Terrific in Duke Johnson’s Surreal Solo Directorial Debut

For as much light as The Actor is bathed in, it’s equally shrouded in darkness. Duke Johnson’s solo directorial debut is a film of bleary sun and swallowing ni...

SXSW Review: The True Beauty of Being Bitten by a Tick is a Fascinating DIY Bergman-Esque Experiment

Falling somewhere between a horror film and dark comedy about wellness crazes, The True Beauty of Being Bitten by a Tick is, like director Pete Ohs' previous J...

The Day the Earth Blew Up: A Looney Tunes Movie Review: An Enjoyable Exercise in Updated Nostalgia

We've had Looney Tunes for nearly a century. Leon Schlesinger produced their first short Sinkin' in the Bathtub alongside animators Hugh Harman and Rudolf Isin...

Philippe Lesage on Who by Fire, the Importance of Imperfection, and What TV Can Never Steal From Cinema

Back at New Directors/New Films in 2019, I was struck by Philippe Lesage's deeply moving, boldly structured coming-of-age tale Genesis, ultimately naming it on...

Leonardo DiCaprio Will Lead Martin Scorsese’s Home; Apple and Todd Field to Produce

While it's been very difficult of late to figure out what Martin Scorsese will follow Killers of the Flower Moon (already a couple years out from its Cannes pr...

News

Exclusive Poster for Marco Bellocchio’s Six-Hour Portobello, Arriving on HBO Max in February

Everything Steven Soderbergh Watched and Read in 2025

NYC Weekend Watch: Catch Me If You Can, The Lost Weekend, The Spirit of the Beehive & More

Trailers

U.S. Trailer for Christian Petzold’s Miroirs No. 3 Brings Paula Beer Into Uncertain Territory

A Luchino Visconti Gem is Restored in Exclusive Trailer for Conversation Piece

The Death of Robin Hood Trailer: Hugh Jackman Seeks Salvation

Reviews

Magellan Review: A Hypnotic, Unambiguous Exploration of the Horrors of Colonization

OBEX Review: An Inventive, Lo-Fi, and Otherworldly Adventure

Holding Liat Review: The Story of One Family Through a Mosaic of Political Views

Features

Luke Hicks’ Top 10 Films of 2025

John Fink’s Top 10 Films of 2025

Devan Suber’s Top 10 Films of 2025

Interviews

“I Cried a Lot”: Sentimental Value Cinematographer Kasper Tuxen on Connecting With Joachim Trier’s Cast

Jack Fisk on Creating an Authentic 1950s New York for Marty Supreme and Josh Safdie’s Drive

Mona Fastvold on The Testament of Ann Lee, Refusing to Compromise, and Cinematic Traditions

Podcasts

The B-Side Ep. 174 – James Stewart (with Mitchell Beaupre)

The B-Side Ep. 173 – James L. Brooks (with Adam Drosin)

The B-Side Ep. 172 – Daniel Craig (with Gavin Mevius)

Read More