After seven long years following the one-two, varied punch of Midnight Special and Loving, director Jeff Nichols is finally back. The Bikeriders––bringing toge...
Although there's no distributor yet confirmed for Francis Ford Coppola's decades-in-development, nearly completed epic Megalopolis, we're starting to get a sen...
The glut of movie podcasts makes it hard to prioritize any single show. But there's been unique pleasure in One Handshake Away, which allows directors to refle...
A yearly spotlight glancing into the future of cinema, Film at Lincoln Center and the Museum of Modern Art have now announced the 53rd edition of New Directors...
The new film from Johan Renck, efficiently titled Spaceman, offers two central conceits. The first: that a vessel en route to a cloud of purple dust, somewhere...
Early Modern times were messy: Europe was finding its footing in rationalism, seeking independence from the centuries-long spiritual yoke of Catholicism and Pr...
How can you make a film about the fall of Yugoslavia? This is the question American documentarian Travis Wilkerson asks himself at the start of Through the Gra...
The spice must flow, and take over most theaters. While Denis Villeneuve's gargantuan-sized blockbuster will suck up much of the oxygen when it comes to discus...
It's now been over a month since I saw Jane Schoenbrun's I Saw the TV Glow and I haven't been able to shake the experience from my mind. The staggering, genre-...
Get ready for the summer of Shyamalan. Not only is M. Night Shyamalan's new thriller Trap, starring Josh Hartnett and the director's daughter Saleka Shyamalan,...