The Film Stage - Page 91

Andrew Davis on His New Novel Disturbing the Bones, Remembering Gene Hackman, and the Difficulties of Trying to Get Movies Made Today

We love speaking with filmmaker Andrew Davis. In late 2023 The Fugitive director came on our podcast The B-Side to discuss a slew of hidden gems as well as the...

Exclusive Trailer and Poster for Love Hotel Restores Shinji Somai’s Pinku Classic

Does the English language contain six sweeter words than "A Pinku Classic from Shinji Somai"? The last couple of years have seen his work restored and properly...

The Actor Review: André Holland is Terrific in Duke Johnson’s Surreal Solo Directorial Debut

For as much light as The Actor is bathed in, it’s equally shrouded in darkness. Duke Johnson’s solo directorial debut is a film of bleary sun and swallowing ni...

SXSW Review: The True Beauty of Being Bitten by a Tick is a Fascinating DIY Bergman-Esque Experiment

Falling somewhere between a horror film and dark comedy about wellness crazes, The True Beauty of Being Bitten by a Tick is, like director Pete Ohs' previous J...

The Day the Earth Blew Up: A Looney Tunes Movie Review: An Enjoyable Exercise in Updated Nostalgia

We've had Looney Tunes for nearly a century. Leon Schlesinger produced their first short Sinkin' in the Bathtub alongside animators Hugh Harman and Rudolf Isin...

Philippe Lesage on Who by Fire, the Importance of Imperfection, and What TV Can Never Steal From Cinema

Back at New Directors/New Films in 2019, I was struck by Philippe Lesage's deeply moving, boldly structured coming-of-age tale Genesis, ultimately naming it on...

Leonardo DiCaprio Will Lead Martin Scorsese’s Home; Apple and Todd Field to Produce

While it's been very difficult of late to figure out what Martin Scorsese will follow Killers of the Flower Moon (already a couple years out from its Cannes pr...

SXSW Review: Rodney Ascher’s Ghost Boy is a Moving, Philosophical Documentary About Being Trapped

Directed by Rodney Ascher, best known for his horror-focused documentaries Room 237 and The Nightmare, Ghost Boy approaches its subject Martin Pistorius from, ...

Sex Work in 1970s Japan Gets the Spotlight in Exclusive Trailer for Noboru Tanaka’s Newly Restored The Oldest Profession

After Sean Baker's sex work dramedy Anora won top honors at the Oscars last week, a Japanese landmark feature from Roman Porno master director Noboru Tanaka ex...

7 Films to See at MoMI’s First Look 2025

A snapshot of the most exciting voices working in American and international cinema today––and with a strong focus on newcomers––the Museum of the Moving Image...

News

The Criterion Channel’s January Lineup Features Paul Thomas Anderson, Kleber Mendoça Filho, Terence Stamp & More

The Criterion Collection’s March 2026 Lineup Features Killers of the Flower Moon on 4K

Sundance Film Festival Unveils 2026 Lineup

Trailers

The Odyssey Trailer Teases Christopher Nolan’s Mythic Epic

Tom Cruise Wants to Save Humanity in First Teaser for Alejandro G. Iñárritu’s Digger

Pedro Almodóvar Returns to Spain in First Trailer for Bitter Christmas

Reviews

The Plague Review: Bullying Drama of Paranoia Requries Suspension of Disbelief

No Other Choice Review: Park Chan-wook’s Rage-Filled and Blood-Drenched Thriller

The Testament of Ann Lee Review: Amanda Seyfried Gives Her Finest Performance Yet

Features

New to Streaming: Sentimental Value, Cover-Up, Where to Land, Die My Love, and More

Jordan Raup’s Top 10 Films of 2025

Ankit Jhunjhunwala’s Top 10 Films of 2025

Interviews

Jack Fisk on Creating an Authentic 1950s New York for Marty Supreme and Josh Safdie’s Drive

Mona Fastvold on The Testament of Ann Lee, Refusing to Compromise, and Cinematic Traditions

“Maybe Sometimes Something Works”: Nathan Silver on Carol & Joy

Podcasts

The B-Side Ep. 174 – James Stewart (with Mitchell Beaupre)

The B-Side Ep. 173 – James L. Brooks (with Adam Drosin)

The B-Side Ep. 172 – Daniel Craig (with Gavin Mevius)

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