Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past r...
The last couple Reznor-Ross soundtracks weren't hitting as hard: on The Killer they ceded ground to Morrissey, replacing their multi-tone soundscapes for atmos...
NYC Weekend Watch is our weekly round-up of repertory offerings.
Roxy CinemaOur House of Tolerance 35mm presentation has its final showing on Friday; a prin...
Though festivals and distributors were very excited to sell you a "final" film by Jean-Luc Godard, Fabrice Aragno made clear Phony Wars would not be the last t...
Update: Bleecker Street has picked up the film for a 2025 release.
Following up Driveways and Fire Island, Andrew Ahn is nearing production on his next feat...
“Do you think people can change?” Ann (Joanna Arnow) asks her long-term dominant Allen (Scott Cohen) toward the beginning of Joanna Arnow’s second feature, The...
There's not a lot of time left, but the adoption agency working with John (James Norton) is doing their best to maintain his belief that they will find the rig...
Jia Zhang-ke could fairly claim to be the most important filmmaker of his generation; he'd probably be the last person to do so. Audiences tend to scan Jia’s w...
105 years ago this year, the birth of Black independent cinema commenced when Oscar Micheaux released his silent feature The Homesteader. While that 1919 film,...
It's at least autumn before we see Jim Jarmusch's first film in five years, but his latest contribution is larger than most can manage: Sqürl, his musical outf...