I've predicted Megalopolis, anticipated as it is, will have a clear dividing point: the cultural commentariat hoping to see "another film by the director of Th...
Rarely does film news engender such outcry as word of Netflix cancelling David Lynch's animated feature Snootworld––and understandably so––but I'm far more inc...
Although John Carpenter's primarily worked in (and forever defined) sci-fi and horror pictures, the man has long loved noir. (Never forget Harry Dean Stanton b...
May's artwork looks pretty good. It's the first month in a while that I feel like I had to leave some worthy pieces out. That's hopefully a positive si...
Following Raw and Titane, Julia Ducournau has set her third feature with Alpha. Though no plot details have been unveiled this far, Golshifteh Farahani (Paters...
Racking my brain to think of what exposure I’ve had to the concept of asexuality, I can come up with two examples: the personal life section of Janeane Garofal...
Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past r...
NYC Weekend Watch is our weekly round-up of repertory offerings.
Roxy CinemaOur House of Tolerance 35mm presentation returns Friday; prints of Night Tide an...
Not even 12 hours ago we learned Kristen Stewart had nabbed a new auteur in Panos Cosmatos, a wise choice by the ever-adventurous actress. Her other choice on ...
Full disclosure: I’ve been looking forward to this interview ever since I read the novel Ash Wednesday as a teenager. Ethan Hawke, co-writer and director of Wi...