Elaine May’s The Heartbreak Kid Has Never Looked Better
If you’ve had any desire to see one of the greatest films ever made in its proper form, you’re out of luck. Unless you’ve been able to catch one of its rare 35...
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Ricky D’Ambrose on Building The Cathedral and the Intricacies of Indie Filmmaking
With his second feature The Cathedral, Ricky D’Ambrose takes a major step forward. He has not abandoned the clipped, elliptical style of his shorts and debut f...
New to Streaming: Ken Jacobs, The Legend of Molly Johnson, Spin Me Round, The Princess & More
Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past r...
Fantasia Review: The Artifice Girl Examines the Evolution of Artificial Intelligence with an Electric Rhythm
Amidst all the high-concept computer-programming speak and moral / ethical implications surrounding the creation of artificial life, the smartest line of dialo...
Claire Denis on Both Sides of the Blade, Autofiction, and FaceTime
Interviewing Claire Denis keeps one on their toes. Receptive to good ideas and quick to challenge any false note, the director—by most metrics one of our gre...
Tribeca Review: A Wounded Fawn Finds a Serial Killer Getting More Than He Bargained For
This weekend is supposed to be a rebirth for Meredith (Sarah Lind). After battling the demons of an abusive relationship, she's accepted an invitation of roman...
7 Films to See at Locarno in Los Angeles
Considering many films premiering at the Locarno Film Festival can take years to get a release here in the United States—should they get any at all—Locarno in ...
11 Films to See in March
With most films seeking to get out of the shadow cast by a certain caped crusader, March is a bit of a lighter month than usual, but there remains a handful of...
The 2022 Oscar-Nominated Short Films, Reviewed
Ahead of the Academy Awards, we’ve reviewed every short film in each category: Animation, Documentary, and Live Action.
Animation
Affairs of the Art ...
Kyle Buchanan on Documenting the Wild Creation of Mad Max: Fury Road in Blood, Sweat & Chrome
“My name is Max. My world is fire and blood.” So began George Miller’s Mad Max: Fury Road, a modern masterpiece that is as daring, audacious, and immaculately ...