At long last, Kathryn Bigelow is returning to filmmaking. After 2017's Detroit, she was developing the David Koepp-scripted thriller Aurora for Netflix but has...
While Jim Jarmusch kicked off Cannes five years ago with his last feature, The Dead Don't Die, the filmmaker is now revealing the first details on his next fil...
The first poster and trailer have dropped for the film New Strains, written, shot by, and starring real-life filmmaker couple Artemis Shaw and Prashanth Kamala...
Almost a decade since his debut feature The Here After premiered at Directors’ Fortnight, Swedish director Magnus von Horn is finally in Cannes Competition wit...
From her debut feature, French filmmaker Agathe Riedinger wants a sparkling yet still-realistic account of the thorny relationship between youth and fame. Wild...
Transitioning the naturalistic comic sensibilities that made Better Things a success, Pamela Adlon’s feature debut Babes manages to co-opt the rhythms of a rom...
It's one of the great fallacies that comedy doesn't need to look good. (Blame years of badly lit Apatow productions and nearly every modern studio release bein...
Welcome to a new episode of The Film Stage Show! Brian Roan and Robyn Bahr discuss Jane Schoenbrun's I Saw the TV Glow with special guest Katie Rife.
Enter ...
With Cannes Film Festival now officially underway and reviews coming in, we're also getting new looks at some of our most-anticipated premieres. The Invisible ...
The wars in Gaza and Ukraine have dominated headlines for the past several years, yet receiving relatively little coverage today is the Syrian civil war, spark...