The Film Stage - Page 61

A Mystery Unfolds In First Trailer for Alain Guiraudie’s Cannes Premiere Misericordia

The Cannes crush can be so unforgiving. This year's case in point: Misericordia has premiered to relatively little notice despite being the latest by the great...

MUBI’s June 2024 Lineup Features Ryusuke Hamaguchi, Abbas Kiarostami, Hirokazu Kore-eda & More

MUBI has unveiled next month’s streaming lineup, featuring recent releases such as Hirokazu Kore-eda's Monster, Tynan DeLong's Dad & Step-Dad, and Rachel L...

Cannes Review: Limonov. The Ballad Finds Ben Whishaw Leading a Boisterous Biopic

At a wake for the murder of Russian journalist and activist Anna Politkovskaya, shot dead in 2006 in the elevator of her apartment block in Moscow, French writ...

First Look at Benny Safdie’s The Smashing Machine Starring Dwayne Johnson and Emily Blunt

Do you smell what The Rock is cooking? For the last decade-plus (at least post-Pain & Gain), Dwayne Johnson has been serving up four-quadrant blockbuster s...

Jeff Nichols Will Adapt Cormac McCarthy’s The Passenger and Stella Maris

When news broke last year of John Hillcoat adapting Blood Meridian, I had expressed some hope for similar treatment bestowed upon Cormac McCarthy's final novel...

Cannes Review: Jia Zhangke and Zhao Tao Speed Through 20 Years in Caught by the Tides

Jia Zhangke's is often a cinema of déjà vu: "We’re again in the northern Chinese city of Datong," Giovanni Marchini Camia wrote for Sight and Sound back in 201...

Cannes Review: Horizon: An American Saga – Chapter 1 Begins Kevin Costner’s Magnum Opus with Sweep and Grandeur

Scale, sweep, or schadenfreude; whatever you might be seeking in the films of Kevin Costner, you tend to walk away with the vistas. Think of the golden plains ...

Yorgos Lanthimos on the Caligula-Inspired Kinds of Kindness and Finding Hope in Humanity

Oh, to be one of the chosen. I guarantee this thought washes over every single person attending the Cannes Film Festival, at least at some point. It is a reali...

Cannes Review: Jacques Audiard’s Emilia Perez is an Audaciously Bad Dud

There’s a lot to look forward to in what has been branded a Mexican comedy-thriller musical from the Palme d’Or winner that brought us Dheepan, A Prophet, Rust...

Hayao Miyazaki Crafts The Boy and the Heron in First Trailer for Two-Hour Behind-the-Scenes Documentary

While much of the Cannes Classics lineup this year look far back in cinema history, a new documentary in the lineup captures a behind-the-scenes look at a rece...

News

Criterion Collection’s February 2025 Lineup Features Paul Thomas Anderson, Jean-Luc Godard, Crossing Delancey & More

Exclusive: New Restoration of Queer Drama By Hook or By Crook Acquired by Altered Innocence for Spring 2025 Release

Tilda Swinton Says The Room Next Door May Be Her Last Film as New Trailer Arrives

Trailers

Pamela Anderson is The Last Showgirl in First Trailer for Gia Coppola’s Drama

Exclusive U.S. Trailer for Endless Summer Syndrome Unveils Provocative French Drama

Beatles ’64 Trailer: Martin Scorsese Captures the Band’s First Visit to America

Reviews

Allen Sunshine Review: A Tranquil Debut Feature with a World of Feeling

Gladiator II Review: Ridley Scott’s Sequel Bests Predecessor By Going Dumb

Riga Review: Dreamy Stereoscopic 3D Folk Tale Twittering Soul is One of a Kind

Features

New to Streaming: Megalopolis, Rumours, Look Into My Eyes, An Almost Christmas Story, and More

NYC Weekend Watch: The Limits of Control, Ealing Studios & More

The Best Movies Now Playing in Theaters

Interviews

Payal Kapadia on All We Imagine as Light, Impermanence, Magical Realism, and Trilogy Plans

Barry Keoghan on Young Fatherhood, Loving La La Land, and the Movement of Andrea Arnold’s Bird

NYC Weekend Watch: Ken Kelsch, Il Grido, Flesh for Frankenstein 3D & More

Podcasts

The B-Side – Gwyneth Paltrow (with Cory Everett)

The B-Side – Vincent Price (with Gavin Mevius)

The B-Side – Tim Burton (with Maria Lewis)

Read More