The Film Stage - Page 61

Cannes Review: Furiosa is No Fury Road, But George Miller Still Loves the Thrill of the Chase

Almost nine years to the day since Mad Max: Fury Road premiered in Cannes, George Miller returns to the Croisette with Furiosa: A Mad Max Saga. It's a deafenin...

MoviePass, MovieCrash Trailer: The Rise and Fall of a Cinephile’s Moviegoing Dream

Remember the glory days of 2018 moviegoing? Those with MoviePass can now relive the rise and fall of the company that offered customers a subscription service ...

The B-Side – In Conversation with Eric Bana

Welcome to The B-Side, from The Film Stage. Here we talk about movie stars! Not the movies that made them famous or kept them famous, but the ones that they ma...

Alexandre Aja Sets Halle Berry in Psychological Thriller in First Trailer for Never Let Go

After crafting some of the most entertaining B-movies in recent years with Crawl and Oxygen, Alexandre Aja is returning with a new one-location psychological t...

Kathryn Bigelow, Pietro Marcello, Juliette Binoche & More Set Next Films

At long last, Kathryn Bigelow is returning to filmmaking. After 2017's Detroit, she was developing the David Koepp-scripted thriller Aurora for Netflix but has...

Adam Driver, Tom Waits & More Join Jim Jarmusch’s Next Film as First Plot Details Arrive

While Jim Jarmusch kicked off Cannes five years ago with his last feature, The Dead Don't Die, the filmmaker is now revealing the first details on his next fil...

New Strains Trailer: A NYC Vacation is Upended in Humorous, Lo-Fi Lockdown Comedy

The first poster and trailer have dropped for the film New Strains, written, shot by, and starring real-life filmmaker couple Artemis Shaw and Prashanth Kamala...

Cannes Review: The Girl with the Needle Finds Magnus von Horn Reinventing Himself as a Chronicler of the Macabre

Almost a decade since his debut feature The Here After premiered at Directors’ Fortnight, Swedish director Magnus von Horn is finally in Cannes Competition wit...

Cannes Review: Wild Diamond Shines Bright, But Deprives Hyper-Femininity from Sensual Core

From her debut feature, French filmmaker Agathe Riedinger wants a sparkling yet still-realistic account of the thorny relationship between youth and fame. Wild...

Babes Review: Pamela Adlon’s Directorial Debut is a Sweet and Raunchy Comedy about Pregnancy

Transitioning the naturalistic comic sensibilities that made Better Things a success, Pamela Adlon’s feature debut Babes manages to co-opt the rhythms of a rom...

News

Bertand Bonello, Takashi Miike, Nikyatu Jusu, and More Plan Next Features

James Gray to Direct Adam Driver, Jeremy Strong, and Anne Hathaway in Paper Tiger

Tarsem Singh, Jaume Collet-Serra, Kim Jee-woon, Paul W.S. Anderson & More Set Next Films

Trailers

Armand Trailer: Renate Reinsve Leads Norway’s Oscar Contender

Oh, Canada Trailer: Richard Gere Reflects on His Life in Paul Schrader’s Poignant Drama

Billy Zane Transforms into Marlon Brando in First Trailer for Waltzing with Brando

Reviews

Riga Review: Dreamy Stereoscopic 3D Folk Tale Twittering Soul is One of a Kind

Riga Review: Saulė Bliuvaitė’s Locarno-Winning Toxic Will Worm Its Way Inside You

AFI Fest Review: September 5 is a Competent But Bloodless Thriller

Features

New to Streaming: A Different Man, The Outrun, My Old Ass, Used Cars & More

Five Highlights from the 2024 Tokyo International Film Festival

The Best Movies Now Playing in Theaters

Interviews

NYC Weekend Watch: Ken Kelsch, Il Grido, Flesh for Frankenstein 3D & More

“Life Is Worth Celebrating”: Tyler Taormina on Christmas Eve in Miller’s Point

Kani Kusruti on All We Imagine as Light, Girls Will Be Girls, and Indian Moviegoing Culture

Podcasts

The B-Side – Vincent Price (with Gavin Mevius)

The B-Side – Tim Burton (with Maria Lewis)

The Film Stage Show Farewell Episode – Megalopolis

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