Some hospitals are better suited for your needs than others no matter where you reside. Maybe you're lucky and the best is local in case of emergency. Maybe yo...
After a hiatus as theaters in New York City and beyond closed their doors during the pandemic, we're delighted to announce the return of NYC Weekend Watch, our...
Justin Kurzel doesn't make it easy. Notwithstanding the oddity that is his Assassin's Creed movie, the Australian auteur has distinct eyes for horrors—so we se...
It’s always interesting, at the beginning of any Nadav Lapid film, to note the myriad Israeli institutions that have backed the project. Since Emile’s Girlfrie...
Few films in Cannes, competition or otherwise, have us excited like Arnaud Desplechin's Deception, the director's adaptation of Philip Roth's erotic, dialogue-...
Scales is the latest in a movement of feminist cinema coming from Saudi Arabia, in the wake of great work done by Haifaa Al-Mansour (whose excellent The Perfec...
Annette has been birthed and, surprise of surprises, initial reaction to a Leos Carax-directed, Sparks-penned musical proves divisive. In any case, we (the bes...
Was Robert Downey Sr. the world's greatest director? A bold claim for anybody, a very bold claim when the director in question hadn't produced anything for dec...
Brief but stirring, vague if not for lack of worthwhile images, here's the first teaser for Ahed's Knee, the new film from Synonyms director Nadav Lapid. Littl...
In Annette, a provocative comedian (Adam Driver) and renowned opera singer (Marion Cotillard) fall in love and have a gifted child. Written and composed by Ron...