In the fifteen interminably long years since James L. Brooks' last directorial feature, the kind of adult-focused, warm dramas with recognizably emphatic chara...
Spike Lee’s first narrative feature in five years is Highest 2 Lowest, his reimagining of Akira Kurosawa’s High and Low that marks a reteam with Denzel Wa...
David Lynch passed a little more than six months ago, and the world of cinema is still mourning. (Honestly, that may never end.) Let’s start with a book devote...
Despite there being a bunch of sequels (Nobody 2, The Bad Guys 2, Ne Zha 2, and Freakier Friday) and remakes or reboots (The Naked Gun, The Toxic Aveng...
In its original iteration, the Zucker brothers’ Naked Gun wasn’t just carried by Leslie Nielsen’s performance––nearly every aspect of the first two David Zucke...
Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past r...
Welcome to The B-Side! Here we talk about movie directors! Not the movies that made them famous or kept them famous, but the ones that they made in between.&nb...
After the fascinating Space Dogs and Dreaming Dogs, directors Elsa Kremser and Levin Peter are shifting their perspective beyond the canine world with their fo...
NYC Weekend Watch is our weekly round-up of repertory offerings.
Museum of Modern ArtSilent Movie Week is underway; listen to our interview with curator Dav...
In a momentous cinematic event, the Quay Brothers are returning with their first feature since 2005. Sanatorium Under the Sign of the Hourglass, a stop-motion ...