The Film Stage - Page 365

FRESH Trailer: Daisy Edgar-Jones and Sebastian Stan Take a Bite into the Rom-Com

One of the more divisive films coming out of Sundance Film Festival last month was Mimi Cave's FRESH, which provides a dark twist on the rom-com. Now set for a...

Berlin Review: Dario Argento Returns with Bizarre, Bloody Dark Glasses

As you watch Dark Glasses, Dario Argento’s first film in a decade, it’s nice to think back on his recent performance as the aging film critic in Gaspar Noé’s V...

Dominik Graf on Telling a Timeless Tale with Fabian: Going to the Dogs

Dominik Graf has been busy turning out termite art for decades. Finding a home on German TV shows like Tatort and Police Call 310, which air feature-length epi...

Berlin Review: Bertrand Bonello’s Coma is an Eclectic, Esoteric Lockdown Study

A contemporary cliché that weakly attempts to diagnose what ails us in modern life is the idea of being addled by technology––of our minds and attention spans ...

Berlin Review: Kamila Andini’s Before, Now & Then is a Well-Mannered Tale of Longing

In Before, Now & Then the social and political upheavals of 1960s Indonesia provide a hardened backbone to what is otherwise a tale of longing and simmerin...

Ana de Armas Lends Ben Affleck a Hand in First Teaser for Adrian Lyne’s Deep Water

For the ideal Valentine's Day treat, our first look at Adrian Lyne's long-awaited erotic thriller Deep Water has arrived. Starring former significant others Be...

Five Underseen Toshiro Mifune Films to Watch at Film Forum’s Retrospective

When an actor appears in many films of a particular director it becomes a sort of short-hand subject to define either's work. Sometimes it feels as if one infl...

Berlin Review: Mis dos voces Examines the Shifting Identities of Immigrants with a Creative Vision

The title of Lina Rodriguez's documentary Mis dos voces says it all. Her three subjects (as well as her) are Latin American immigrants living in Canada with s...

An Otherworldly Force Arrives in First Trailer for Jordan Peele’s Nope

One of the very few original tentpoles coming out of Hollywood this year to look forward to is the latest creation from Jordan Peele. Following the one-two pun...

Berlin Review: Claire Denis’ Both Sides of the Blade Makes for Enigmatic Melodrama

In Both Sides of the Blade a romance breaks down and threatens to break up in a stylish apartment overlooking the sweet Parisian skyline. The director is of co...

News

Metrograph Launches Print Publication with Inaugural Issue Featuring Ryusuke Hamaguchi, Clint Eastwood, Ari Aster & More

Léa Seydoux, Lee Kang-sheng, Margaret Qualley, Steven Yeun, Natalie Portman, Armie Hammer & More Set Next Roles

Exclusive: Paul Schrader’s Next Films Involve a Pederast Professor and a Wall Street-Set Erotic Thriller

Trailers

Michel Gondry Returns to Animation in First Trailer for Maya, Give Me a Title

Steven Soderbergh Tells a Ghost Story in New Trailer for Presence

Exclusive Trailer for Jōhatsu, a Lithuanian Thriller Exploring a Japanese Phenomenon

Reviews

Juror #2 Review: Courtroom Thriller Represents the Best from Clint Eastwood’s Late Era

The Graduates Review: A Melancholic Look at a Community Bonded by Tragedy

AFI Fest Review: Robert Zemeckis’ Here Plays Like the Anti-Boyhood

Features

Tokyo International Film Festival Artistic Director Ichiyama Shôzô Offers Insight Into a Growing Organization

Posterized November 2024: A Traveler’s Needs, Queer, Flow, Bird & More

New to Streaming: Catherine Breillat, The Substance, Last Things, The Apprentice, and More

Interviews

“Nobody Ever Gave Me Anything”: Alan Rudolph on Robert Altman, Bruce Willis, Kurt Vonnegut, and Resurrecting Breakfast of Champions

Soundtrack to a Coup d’Etat Director Johan Grimonprez on a Jazz-Fueled, Kaleidoscopic Vision of Displaced Blackness

The Making of the Indian Sci-Fi Box-Office Sensation Kalki 2898 AD

Podcasts

The B-Side – Vincent Price (with Gavin Mevius)

The B-Side – Tim Burton (with Maria Lewis)

The Film Stage Show Farewell Episode – Megalopolis

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