Eli Horowitz’s The Cow offers a rather convoluted approach to an unfortunately straightforward story. For much of its runtime, however, the film successfully o...
Inspired by actual events, I Love My Dad contains a cringe-worthy premise that should easily fall apart, as Franklin (James Morosini), a young-ish man, should ...
At long last, the Lou Ye's Venice 2019 premiere Saturday Fiction is arriving stateside. After some delays presumably caused by the pandemic, Strand Releasing w...
Welcome, one and all, to the latest episode of The Film Stage Show! Today, Brian Roan, Robyn Bahr, and Bill Graham are joined by Jazz Tangcay to discuss Domee ...
Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week's selections below and past r...
From the old school ‘50s-era opening titles, you can feel what tone Charlie McDowell’s Windfall is going for. The director’s third feature plays up the Hitchco...
Romanian filmmaker Radu Muntean’s latest work, Întregalde, expertly plays with genre trappings to tell a grounded story of humanitarian impulses gone awry. Set...
Hard to believe we're forecasting June, but rather than get into all that I'll say it's been nice seeing Criterion's 2022 lineup come into shape—a proper mix o...
When a family member is sentenced to prison it’s often their family that “does the time”—having one less mother, father, brother, sister to raise a child. This...
Premiering at Berlinale in 2020, where it picked up the Panorama Audience Award, Srdan Golubović's Father (aka Otac) is now set for a theatrical release beginn...