One only gets word on a new Panos Cosmatos film so often—might as well appreciate it as it comes. Though the director, who we've admired since Beyond the Black...
Without yelling at the clouds too loudly, let me just say: the theatrical experience is rough out there. There are still multiple screens dedicated to a certai...
One of the most transportive, transfixing discoveries of last year's festival circuit was the Cannes and NYFF selection The Tale of King Crab. Coming from Ital...
Warning: Some spoilers ahead.
Told in real-time across one (seemingly) unbroken shot, Beth de Araújo’s Soft & Quiet is perhaps the most provocative film...
Shot back in 2019, it's been a long wait for Andrew Dominik's Marilyn Monroe drama Blonde to see the light of day, but it looks like 2022 is finally the year. ...
Welcome, one and all, to the latest episode of The Film Stage Show! Today, Brian Roan, Robyn Bahr, and Bill Graham are joined by Carlos Aguilar to discuss Joac...
There's a beautiful tale of grief and rebirth at the center of Malgorzata Szumowska's Infinite Storm. The only reason Pam Bales (Naomi Watts) hiked up Mt. Wash...
This, I think, will be a year of David Cronenberg. Not that the maestro is ever far from our minds. (Nor would we ever pigeonhole him as the body horror guy; w...
There are, maybe, better movies than INLAND EMPIRE. (I believe all-caps are required,) But as you're watching it that hardly seems possible. Shot in some of th...
A welcome annual tradition, the Directors Guild of America has once again gathered their nominees for Outstanding Directorial Achievement in Theatrical Feature...