The Film Stage - Page 346

Poser Trailer Examines a Dark Side of Musical Ambitions

A highlight of last year's Tribeca Film Festival, Ori Segev and Noah Dixon's Poser was picked up by Oscilloscope Laboratories and will now be arriving this Jun...

First Poster for Hirokazu Koreeda’s Baby Broker Hints at Cannes 2022 Premiere

With only a few days to go until the 2022 Cannes Film Festival lineup will be unveiled, we already have some hints as to what will premiere at the festival. Ju...

Exclusive Trailer for Kôta Yoshida’s Sexual Drive Presents a Triptych of Carnal and Culinary Quandaries

If Ryûsuke Hamaguchi satiated your appetite for Japanese triptychs with the best film of last year, and you are now seeking more to devour, look no further. Kô...

New to Streaming: Tokyo Vice, Cow, Vengeance Is Mine, All Others Pay Cash & More

Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week's selections below and past r...

The B-Side – Ethan Hawke (with Luke Hicks)

Welcome to The B-Side, from The Film Stage. Here we talk about movie stars! Not the movies that made them famous or kept them famous, but the ones they made in...

A Neo-Noir Unfolds in Wine Country in Exclusive Trailer for Eve Symington’s Brut Force

Finding a unique location to place a neo-noir––a genre usually synonymous with the concrete jungles of cities––Eve Symington's directorial debut Brut Force is ...

NYC Weekend Watch: Hong Sang-soo, INLAND EMPIRE, Alex Ross Perry & More

NYC Weekend Watch is our weekly round-up of repertory offerings. Film at Lincoln Center A series of thematically arranged Hong Sang-soo double features h...

Aline Review: Unauthorized Céline Dion Biopic is a Beautiful Oddity

In early 2022 a peculiar challenge took over TikTok that, since, has become one of its most emulated trends. Celebrities like Mandy Moore and Michael Bublé, no...

All the Old Knives Review: Chris Pine and Thandiwe Newton Find Sparks in Swoony Spy Thriller

All the Old Knives wants you to sweat and swoon in equal measure. Playing in the same tried and true sandbox as some of the great espionage thrillers before it...

As They Made Us Review: Dramedy Offers No Easy Answers in Death, But a Modicum of Peace

One of the best things about As They Made Us, written and directed by Mayim Bialik, is its pronounced lack of judgment. An indie dramedy heavy on the drama, Bi...

News

Léa Seydoux, Lee Kang-sheng, Margaret Qualley, Steven Yeun, Natalie Portman, Armie Hammer & More Set Next Roles

Exclusive: Paul Schrader’s Next Films Involve a Pederast Professor and a Wall Street-Set Erotic Thriller

2024 Gotham Awards Nominations Unveiled

Trailers

Michel Gondry Returns to Animation in First Trailer for Maya, Give Me a Title

Steven Soderbergh Tells a Ghost Story in New Trailer for Presence

Exclusive Trailer for Jōhatsu, a Lithuanian Thriller Exploring a Japanese Phenomenon

Reviews

Juror #2 Review: Courtroom Thriller Represents the Best from Clint Eastwood’s Late Era

The Graduates Review: A Melancholic Look at a Community Bonded by Tragedy

AFI Fest Review: Robert Zemeckis’ Here Plays Like the Anti-Boyhood

Features

Tokyo International Film Festival Artistic Director Ichiyama Shôzô Offers Insight Into a Growing Organization

Posterized November 2024: A Traveler’s Needs, Queer, Flow, Bird & More

New to Streaming: Catherine Breillat, The Substance, Last Things, The Apprentice, and More

Interviews

“Nobody Ever Gave Me Anything”: Alan Rudolph on Robert Altman, Bruce Willis, Kurt Vonnegut, and Resurrecting Breakfast of Champions

Soundtrack to a Coup d’Etat Director Johan Grimonprez on a Jazz-Fueled, Kaleidoscopic Vision of Displaced Blackness

The Making of the Indian Sci-Fi Box-Office Sensation Kalki 2898 AD

Podcasts

The B-Side – Vincent Price (with Gavin Mevius)

The B-Side – Tim Burton (with Maria Lewis)

The Film Stage Show Farewell Episode – Megalopolis

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