The Film Stage - Page 332

Idris Elba Faces a Deathly Threat in First Trailer for Baltasar Kormákur’s Beast

From The Shallows to Crawl, the man (or woman, in those cases) vs. beast subgenre of thriller has had a new resurgence. Now, it's Everest and 2 Guns director B...

Cannes Review: Park Chan-wook’s Decision to Leave is a Formally Dazzling Love Story

“Congratulations… it’s a murder.” A backwards thing to celebrate? Not when you’re a droll insomniac detective who’s only happy (read: not miserable) when you’r...

Cannes Review: Funny Pages is a Darkly Hilarious, Absurdist Comic Book of a Film

The deranged lunatics populating Owen Kline’s absurdist, bleakly hilarious Funny Pages are all somewhat anachronistic; loners who gravitate around old things a...

Cannes Review: Cristian Mungiu’s R.M.N. Skewers Europe and Late Capitalism

Anyone looking to take the temperature of Cristian Mungiu’s first film in six long years should heed the words of Matthias, his most recent downtrodden protago...

MUBI Unveils June 2022 Lineup

MUBI's U.S. lineup for next month has been unveiled, including some essential recent releases, notably James Vaughan's Friends and Strangers, Radu Muntean's În...

Cannes Review: Moonage Daydream is a Radiant, Psychedelic Voyage Through David Bowie’s Soul

David Bowie’s tranquil voice seeps in over a black screen, waxing poetic philosophy about the infinity and complexity of time. Letters incrementally fade in on...

Cannes Review: Holy Spider Finds Ali Abbasi Reaching for Shock

Ali Abbasi’s Border, an adaptation of a short story by Let the Right One In author John Ajvide Lindqvist, put its director on the map as one fluent in a dark g...

Dinner in America Review: The Outcasts Get Their Day in Humorous, Heartfelt Comedy

Born from a decision to combine two aughts-era sketches that weren't quite working on their own, filmed in 2018 (stewarded with the help of Danny Leiner, who p...

Ali & Ava U.S. Trailer: Clio Barnard’s Acclaimed Drama Arrives in July

Following The Arbor, The Selfish Giant, and Dark River, British director Clio Barnard’s latest work is once again set in Bradford and this time focuses on a lo...

The Film Stage Show Classic – The Secret of NIMH

Welcome, one and all, to the latest episode of The Film Stage Show! Today, Brian Roan, Robyn Bahr, and Bill Graham discuss The Secret of NIMH and the films of ...

News

Tilda Swinton Says The Room Next Door May Be Her Last Film as New Trailer Arrives

Martin Scorsese Praises I Saw the TV Glow, Reveals Plans for Next Films

First Look at Lynne Ramsay’s Die, My Love Featuring Jennifer Lawrence and Robert Pattinson

Trailers

Pamela Anderson is The Last Showgirl in First Trailer for Gia Coppola’s Drama

Exclusive U.S. Trailer for Endless Summer Syndrome Unveils Provocative French Drama

Beatles ’64 Trailer: Martin Scorsese Captures the Band’s First Visit to America

Reviews

Allen Sunshine Review: A Tranquil Debut Feature with a World of Feeling

Gladiator II Review: Ridley Scott’s Sequel Bests Predecessor By Going Dumb

Riga Review: Dreamy Stereoscopic 3D Folk Tale Twittering Soul is One of a Kind

Features

New to Streaming: Megalopolis, Rumours, Look Into My Eyes, An Almost Christmas Story, and More

NYC Weekend Watch: The Limits of Control, Ealing Studios & More

The Best Movies Now Playing in Theaters

Interviews

Payal Kapadia on All We Imagine as Light, Impermanence, Magical Realism, and Trilogy Plans

Barry Keoghan on Young Fatherhood, Loving La La Land, and the Movement of Andrea Arnold’s Bird

NYC Weekend Watch: Ken Kelsch, Il Grido, Flesh for Frankenstein 3D & More

Podcasts

The B-Side – Gwyneth Paltrow (with Cory Everett)

The B-Side – Vincent Price (with Gavin Mevius)

The B-Side – Tim Burton (with Maria Lewis)

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