The Film Stage - Page 331

Cannes Review: Baz Luhrmann’s Elvis is a Breakneck, Jerky Rollercoaster Ride

Few filmmakers embrace artistic dichotomy like Baz Luhrmann. The Australian writer-director known for epic, ornate, long-gestating projects has become synonymo...

Cannes Review: Enys Men is a Hypnotic, Time-Warping Horror from Mark Jenkin

Perched on the cliff of a windswept island off the coast of Cornwall is a shock of white flowers. Every day a woman studies their petals in religious silence b...

Cannes Review: Stars at Noon is an Unsteady Detour for Claire Denis

It’s intriguing for a long-term fan of a director, perhaps even one whose films you’ve grown up alongside the last decade or two, to watch them stumble slightl...

Cannes Review: Albert Serra Hits Career High With Boundless, Brilliant Pacifiction

Pacifiction is what Albert Serra might describe as an unfuckable movie. “Unfuckable is, you take the whole thing or you don’t take it but you cannot apply...

New to Streaming: Navalny, Mulholland Dr., Jackass 4.5 & More

Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week's selections below and past r...

NYC Weekend Watch: Mike Leigh, Michael Mann, The Animatrix, Cosmopolis & More

NYC Weekend Watch is our weekly round-up of repertory offerings. Film at Lincoln Center A career-spanning Mike Leigh retro is underway, with the director...

There Are No Saints Review: Hitman Thriller Offers No Hope, Little Entertainment

Within the burgeoning action sub-genre of fathers scorching earth to save their child, one will not find a film meaner than There Are No Saints. Written by Pau...

Cannes Review: One Fine Morning is an Enchanting Heartbreaker from Mia Hansen-Løve

Mia Hansen-Løve once spoke of her corpus like a home: "I think of my work on two levels: the film itself, and then the film as a part of a larger whole. A hous...

Cannes Review: David Cronenberg Delivers with the Unsettling and Erotically Charged Crimes of the Future

In Crimes of the Future, an underground movement of performance artists try understanding a world in which humans grow new organs on a regular basis and pain, ...

Watch the First Two Clips from Claire Denis’ Stars at Noon

With a Hamaguchi-like approach to 2022, Claire Denis premiered her stellar, small-scale melodrama Both Sides of the Blade at Berlinale and now debuts a higher-...

News

Tilda Swinton Says The Room Next Door May Be Her Last Film as New Trailer Arrives

Martin Scorsese Praises I Saw the TV Glow, Reveals Plans for Next Films

First Look at Lynne Ramsay’s Die, My Love Featuring Jennifer Lawrence and Robert Pattinson

Trailers

Pamela Anderson is The Last Showgirl in First Trailer for Gia Coppola’s Drama

Exclusive U.S. Trailer for Endless Summer Syndrome Unveils Provocative French Drama

Beatles ’64 Trailer: Martin Scorsese Captures the Band’s First Visit to America

Reviews

Allen Sunshine Review: A Tranquil Debut Feature with a World of Feeling

Gladiator II Review: Ridley Scott’s Sequel Bests Predecessor By Going Dumb

Riga Review: Dreamy Stereoscopic 3D Folk Tale Twittering Soul is One of a Kind

Features

New to Streaming: Megalopolis, Rumours, Look Into My Eyes, An Almost Christmas Story, and More

NYC Weekend Watch: The Limits of Control, Ealing Studios & More

The Best Movies Now Playing in Theaters

Interviews

Payal Kapadia on All We Imagine as Light, Impermanence, Magical Realism, and Trilogy Plans

Barry Keoghan on Young Fatherhood, Loving La La Land, and the Movement of Andrea Arnold’s Bird

NYC Weekend Watch: Ken Kelsch, Il Grido, Flesh for Frankenstein 3D & More

Podcasts

The B-Side – Gwyneth Paltrow (with Cory Everett)

The B-Side – Vincent Price (with Gavin Mevius)

The B-Side – Tim Burton (with Maria Lewis)

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