It’s intriguing for a long-term fan of a director, perhaps even one whose films you’ve grown up alongside the last decade or two, to watch them stumble slightl...
Pacifiction is what Albert Serra might describe as an unfuckable movie. “Unfuckable is, you take the whole thing or you don’t take it but you cannot apply...
Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week's selections below and past r...
NYC Weekend Watch is our weekly round-up of repertory offerings.
Film at Lincoln Center
A career-spanning Mike Leigh retro is underway, with the director...
Within the burgeoning action sub-genre of fathers scorching earth to save their child, one will not find a film meaner than There Are No Saints. Written by Pau...
Mia Hansen-Løve once spoke of her corpus like a home: "I think of my work on two levels: the film itself, and then the film as a part of a larger whole. A hous...
In Crimes of the Future, an underground movement of performance artists try understanding a world in which humans grow new organs on a regular basis and pain, ...
With a Hamaguchi-like approach to 2022, Claire Denis premiered her stellar, small-scale melodrama Both Sides of the Blade at Berlinale and now debuts a higher-...
From The Shallows to Crawl, the man (or woman, in those cases) vs. beast subgenre of thriller has had a new resurgence. Now, it's Everest and 2 Guns director B...
“Congratulations… it’s a murder.” A backwards thing to celebrate? Not when you’re a droll insomniac detective who’s only happy (read: not miserable) when you’r...