The Film Stage - Page 319

The Banshees of Inisherin Trailer: Martin McDonagh Reunites with Colin Farrell & Brendan Gleeson

After Seven Psychopaths and Three Billboards Outside Ebbing, Missouri brought him to America to a divisive reaction, British-Irish filmmaker Martin McDonagh re...

Vicky Krieps is on the Run in U.S. Trailer for Mathieu Amalric’s Hold Me Tight

Now seemingly a regular fixture at the Cannes Film Festival, before this year's Corsage and More Than Ever, Vicky Krieps debuted Bergman Island and Hold Me Tig...

Fantasia Review: Next Sohee Handles a Heavy Subject with a Steady Hand

And here I thought capitalism's hold on the American education system by way of unpaid internships was bad. As documented in July Jung's extern drama Next Sohe...

Prey Review: A Ruthlessly Efficient Prequel That Lives Up to the Original

The Predator franchise has been a remarkable exercise in longevity despite diminishing returns for 35 years. As such, a scaled-down and retitled prequel reduce...

Fantasia Review: What to Do with the Dead Kaiju? is a Decent Skit Stretched Beyond its Elasticity

The easiest way to describe the tone of Satoshi Miki's realization of an objectively ingenious concept (What happens to the rotting carcass of a defeated kaiju...

Chaos Reigns in Trailer for 4K Restoration of Daisies

Few movies loom like Daisies, as beloved among first-year film students as it is revered by experts of the Czech New Wave. But being both introduction and figu...

10 Films to See in August

Closing out the summer movie season, August probably won't repeat last year when it comes to including the release of the eventual Best Picture. But there are ...

Bullet Train Review: Brad Pitt’s Charm Can’t Save Self-Indulgent Actioner

For a film filled with piles of dead bodies, generational family trauma, and a general bad-luck vibe, David Leitch’s Bullet Train lacks any sense of authentici...

Noah Baumbach’s White Noise Will Open the 60th New York Film Festival

In what feels like no time at all are we again looking towards the New York Film Festival, which launches on September 30 with some major buzz, drone, hiss, bu...

Intermission Ep. 13 – The Vanishing (with Susannah Gruder)

Welcome to the return of Intermission, a spin-off podcast from The Film Stage Show. Led by yours truly, Michael Snydel, I invite a guest to discuss an arthouse...

News

MUBI’s January 2025 Lineup Includes Close Your Eyes, Pepe, Luca Guadagnino, Charli XCX & More

The Criterion Channel’s January 2025 Lineup Features David Bowie, Nicole Kidman, Sean Baker & More

Brady Corbet Reveals First Details for Next Film, Inspired by Horror and Westerns

Trailers

The Game Is Out of Joint In Trailer for Grand Theft Hamlet

Gazer Trailer: Paranoia Thriller and Cannes Selection Arrives This February

Exclusive: ’90s Sundance Gem Girls Town Gets 4K Restoration, Trailer, and Theatrical Release

Reviews

Laceno D’Oro Review: Pastoral Hybrid Doc Savanna and the Mountain Confronts An Urgent Struggle with Humor and Charm

Laceno D’Oro Review: Bestiari, Erbari, Lapidari Entrancingly Explores the Histories of Science, Cinema, and War

Endless Summer Syndrome Review: An Incest Drama With Depth

Features

NYC Weekend Watch: Minority Report, Mr. Deeds, La Notte & More

Robyn Bahr’s Top 10 Films of 2024

New to Streaming: The Order, Between the Temples, Bird, Gladiator II, Nightbitch & More

Interviews

The Brutalist Cinematographer Lol Crawley on VistaVision, the 70mm Experience, and Brady Corbet’s Flexibility

Santosh Director Sandhya Suri on Quiet Characters, Economic Filmmaking, and Emotional Chess

Guy Pearce on the Egoism of The Brutalist and Why Brady Corbet’s Epic Earns Its Runtime

Podcasts

The B-Side – Al Pacino (with Mitchell Beaupre)

The B-Side – Jack Lemmon (with Mitchell Beaupre)

The Film Stage Show Bonus Ep. – Box Office Bonanza (July 21, 2000)

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