It's a quiet month for studio blockbusters. Sony has Bullet Train (August 5) and The Invitation (August 26); Universal has Beast (August 19). Not to sp...
NYC Weekend Watch is our weekly round-up of repertory offerings.
Film at Lincoln Center
As a restoration of Three Colors: White begins its run, a massive...
After Seven Psychopaths and Three Billboards Outside Ebbing, Missouri brought him to America to a divisive reaction, British-Irish filmmaker Martin McDonagh re...
Now seemingly a regular fixture at the Cannes Film Festival, before this year's Corsage and More Than Ever, Vicky Krieps debuted Bergman Island and Hold Me Tig...
And here I thought capitalism's hold on the American education system by way of unpaid internships was bad. As documented in July Jung's extern drama Next Sohe...
The Predator franchise has been a remarkable exercise in longevity despite diminishing returns for 35 years. As such, a scaled-down and retitled prequel reduce...
The easiest way to describe the tone of Satoshi Miki's realization of an objectively ingenious concept (What happens to the rotting carcass of a defeated kaiju...
Few movies loom like Daisies, as beloved among first-year film students as it is revered by experts of the Czech New Wave. But being both introduction and figu...
Closing out the summer movie season, August probably won't repeat last year when it comes to including the release of the eventual Best Picture. But there are ...
For a film filled with piles of dead bodies, generational family trauma, and a general bad-luck vibe, David Leitch’s Bullet Train lacks any sense of authentici...