The Film Stage - Page 276

Posterized October 2022: Decision to Leave, TÁR, Holy Spider & More

As we work into the second week of the New York Film Festival, the theatrical shift towards awards-season fare officially begins at your local multiple...

New to Streaming: ’80s Horror, Mathieu Amalric, Free Chol Soo Lee, God’s Country & More

Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past r...

Hellraiser Review: Tired Reboot Reeks of Unfulfilled Potential

Renowned horror author and filmmaker Clive Barker has oft remarked about his directorial debut, Hellraiser, that he had virtually no idea what he was doing whi...

Paul Schrader Will Form a Tetralogy With His Next Film, Following a Nurse in Puerto Rico

Premiering at the Venice Film Festival and then stopping by the New York Film Festival, many thought Paul Schrader's Master Gardener––following Joel Edgerton's...

John Waters to Direct First Film in Two Decades

A Dirty Shame is not only the title of John Waters' most recent feature, but also the general feeling when considering the Baltimore-born director hasn't helme...

Jerzy Skolimowski’s Celebrated Eo Gets U.S. Trailer

The words "Bressonian joy" are rarely deployed, but from Cannes onward we've heard almost exclusively great things about Jerzy Skolimowski’s Eo, a Balthazar sp...

Listen to Tindersticks’ Track for Claire Denis’ Stars at Noon as Soundtrack Is Announced

A true Tindersticks fan will only welcome whatever's next, but even by such open-armed standards was I dazzled by their soundtrack for Stars at Noon, the (give...

Causeway Trailer: Jennifer Lawrence Deals with Demons of the Past

Jennifer Lawrence's sole outing this year is Causeway, which comes from first-time director Lila Neugebauer. The A24 and Apple TV+ production, which premiered ...

Sirens Review: Finding Poetry in Love and Music

While Rita Baghdadi's documentary Sirens centers upon the first all-female thrash metal band from the Middle East, it's not really about the band. We follow th...

NYFF Review: In Saint Omer, Alice Diop Examines Motherhood Through True Crime

In 2016, documentary filmmaker Alice Diop (We) felt compelled to attend the trial of Fabienne Kabou, a Senegalese mother accused of infanticide. Pregnant at th...

News

Léa Seydoux, Lee Kang-sheng, Margaret Qualley, Steven Yeun, Natalie Portman, Armie Hammer & More Set Next Roles

Exclusive: Paul Schrader’s Next Films Involve a Pederast Professor and a Wall Street-Set Erotic Thriller

2024 Gotham Awards Nominations Unveiled

Trailers

Exclusive Trailer for Jōhatsu, a Lithuanian Thriller Exploring a Japanese Phenomenon

First Trailer for Luca Guadagnino’s Queer Follows Daniel Craig Searching for a High

Ride a Dreamlike Musical Carousel in Exclusive Trailer for Signe Birkova’s Lotus, Partly Shot on a 1920s Camera

Reviews

Juror #2 Review: Courtroom Thriller Represents the Best from Clint Eastwood’s Late Era

The Graduates Review: A Melancholic Look at a Community Bonded by Tragedy

AFI Fest Review: Robert Zemeckis’ Here Plays Like the Anti-Boyhood

Features

17 Films to See in November

The Best Movies Now Playing in Theaters

Tony Leung, Johnnie To, and Chiara Mastroianni Talk Cinema’s Future as the 2024 Tokyo International Film Festival Begins

Interviews

“Nobody Ever Gave Me Anything”: Alan Rudolph on Robert Altman, Bruce Willis, Kurt Vonnegut, and Resurrecting Breakfast of Champions

Soundtrack to a Coup d’Etat Director Johan Grimonprez on a Jazz-Fueled, Kaleidoscopic Vision of Displaced Blackness

The Making of the Indian Sci-Fi Box-Office Sensation Kalki 2898 AD

Podcasts

The B-Side – Vincent Price (with Gavin Mevius)

The B-Side – Tim Burton (with Maria Lewis)

The Film Stage Show Farewell Episode – Megalopolis

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