The Film Stage - Page 275

Meet Me in the Bathroom Trailer Revisits the Birth of The Strokes, LCD Soundsystem, Yeah Yeah Yeahs & More

The birth of The Strokes, LCD Soundsystem, Yeah Yeah Yeahs, Interpol, The Moldy Peaches, The Rapture, TV On The Radio, Liars, and more bands integral to the 2...

First Trailer for Sarah Polley’s Women Talking Starring Claire Foy, Rooney Mara, Jessie Buckley & Frances McDormand

Marking her first film in a decade, Sarah Polley's Women Talking brings together the accomplished cast of Claire Foy, Rooney Mara, Jessie Buckley, Frances McDo...

Isabelle Huppert to Lead Dario Argento’s New Feature, Shooting This Spring

About, oh, a day after arguing Dark Glasses would surely be 82-year-old Dario Argento's final feature, the director showed why he is a legend and, cards on the...

Exclusive Trailer for Gastón Solnicki’s A Little Love Package Unboxes a Playful Ode to Vienna

The boundlessly playful and inventive films of Argentine director Gastón Solnicki (Kékszakállú, Introduzione all'oscuro) have been a delight to witness these l...

NYFF Review: The Eternal Daughter Finds Tilda Swinton in a Remarkable Metanarrative

In the tradition of Okja and Hail, Caesar!, writer-producer-director Joanna Hogg has gifted the world with two Tildas (Swinton, that is) in one film. Just shy ...

Hamburg Review: Trenque Lauquen is a Rewarding Epic About Puzzles of the Heart

There are many films that start with a bang and many that climax at the end. There are fewer that wow with a deliberately calibrated, orgiastic halfway mark. T...

TIFF Review: Tora’s Husband is a Meandering Third Feature from Rima Das

Rima Das is one of this century's most remarkable indie-filmmaker stories from India. Essentially a one-woman crew, she released her debut feature Village Rock...

Ruben Östlund on Sexuality as Currency, #MeToo, and the YouTube Inspirations for Triangle of Sadness

Ruben Östlund has always maintained a fearlessness in his work. 2011’s Play depicted a group of Swedish-Somali boys who rob white kids by preying on their disc...

NYC Weekend Watch: Isabelle Huppert, NYFF Revivals, The Addiction & More

Film Forum Isabelle Huppert, our (give or take) greatest living actress, is celebrated in a retrospective that includes films by Pialat, Chabrol, and more, ...

First Look at Adam Driver in Michael Mann’s Ferrari

As I work my way through Michael Mann's Heat 2 (in deliciously gruff audiobook form), it's a great time to be a fan of the director. Following Tokyo Vice earli...

News

Léa Seydoux, Lee Kang-sheng, Margaret Qualley, Steven Yeun, Natalie Portman, Armie Hammer & More Set Next Roles

Exclusive: Paul Schrader’s Next Films Involve a Pederast Professor and a Wall Street-Set Erotic Thriller

2024 Gotham Awards Nominations Unveiled

Trailers

Exclusive Trailer for Jōhatsu, a Lithuanian Thriller Exploring a Japanese Phenomenon

First Trailer for Luca Guadagnino’s Queer Follows Daniel Craig Searching for a High

Ride a Dreamlike Musical Carousel in Exclusive Trailer for Signe Birkova’s Lotus, Partly Shot on a 1920s Camera

Reviews

Juror #2 Review: Courtroom Thriller Represents the Best from Clint Eastwood’s Late Era

The Graduates Review: A Melancholic Look at a Community Bonded by Tragedy

AFI Fest Review: Robert Zemeckis’ Here Plays Like the Anti-Boyhood

Features

17 Films to See in November

The Best Movies Now Playing in Theaters

Tony Leung, Johnnie To, and Chiara Mastroianni Talk Cinema’s Future as the 2024 Tokyo International Film Festival Begins

Interviews

“Nobody Ever Gave Me Anything”: Alan Rudolph on Robert Altman, Bruce Willis, Kurt Vonnegut, and Resurrecting Breakfast of Champions

Soundtrack to a Coup d’Etat Director Johan Grimonprez on a Jazz-Fueled, Kaleidoscopic Vision of Displaced Blackness

The Making of the Indian Sci-Fi Box-Office Sensation Kalki 2898 AD

Podcasts

The B-Side – Vincent Price (with Gavin Mevius)

The B-Side – Tim Burton (with Maria Lewis)

The Film Stage Show Farewell Episode – Megalopolis

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