The Film Stage - Page 274

NYFF Review: Till Gives Proper Treatment to an Essential American Story

Chinonye Chukwu’s Till finds the Clemency writer-director facing the story of Emmett Till, the 14-year-old boy lynched in 1955. More specifically the story of ...

New to Streaming: Stars at Noon, Dark Glasses, Piggy, The Northman & More

Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past r...

Stream Tindersticks’ Stars at Noon Soundtrack

It's been nine years since Tindersticks released a Claire Denis soundtrack; every listen to Stars at Noon (of which I've had several this week) justifies that ...

Stream John Carpenter’s Halloween Ends Soundtrack

Halloween Ends arrives like the undercooked dessert of a three-course meal nobody much enjoyed—but what garnish these John Carpenter scores were! Unlikely as i...

Sepa: Nuestro Señor de los milagros Review: A Long-Lost Film from Herzog Collaborator Finds New Life

After years of working with someone like Werner Herzog, it seems you deserve some rest—especially after films as spectacular as Aguirre: The Wrath of God and F...

Old Man Review: Stephen Lang Strikes Fear in Lucky McKee’s Horror Thriller

Some wounds don't heal. Not with time. Not with a mythical lake of water with the power to mend all ailments. And while we can try to forget, the mind will alw...

Ali Suliman Fights for His Family in Exclusive Trailer for Acclaimed Palestinian Drama 200 Meters

Before he's seen in Terrence Malick's The Way of the Wind––which will hopefully (maybe) arrive next year––Ali Suliman leads the acclaimed drama 200 Meters. Mar...

NYC Weekend Watch: A Confucian Confusion, Godard’s Passion, Angel’s Egg & More

NYC Weekend Watch is our weekly round-up of repertory offerings. Film at Lincoln Center NYFF Revivals concludes with restorations of Edward Yang's A...

Halloween Ends Review: David Gordon Green’s Finale is a Condescending Misfire

Note: The following review contains spoilers for Halloween Ends. This time last year, while doing press for his rather dreadful Halloween Kills, director Da...

Guy Maddin on Restoring Tales From the Gimli Hospital, Being Rejected by TIFF, and Luis Buñuel

Canada’s weirdest filmmaker, Guy Maddin has crafted a body of work since the 1980s that first comes off as classical-cinema homage but, looked at deeper, is ra...

News

Metrograph Launches Print Publication with Inaugural Issue Featuring Ryusuke Hamaguchi, Clint Eastwood, Ari Aster & More

Léa Seydoux, Lee Kang-sheng, Margaret Qualley, Steven Yeun, Natalie Portman, Armie Hammer & More Set Next Roles

Exclusive: Paul Schrader’s Next Films Involve a Pederast Professor and a Wall Street-Set Erotic Thriller

Trailers

Michel Gondry Returns to Animation in First Trailer for Maya, Give Me a Title

Steven Soderbergh Tells a Ghost Story in New Trailer for Presence

Exclusive Trailer for Jōhatsu, a Lithuanian Thriller Exploring a Japanese Phenomenon

Reviews

Juror #2 Review: Courtroom Thriller Represents the Best from Clint Eastwood’s Late Era

The Graduates Review: A Melancholic Look at a Community Bonded by Tragedy

AFI Fest Review: Robert Zemeckis’ Here Plays Like the Anti-Boyhood

Features

Tokyo International Film Festival Artistic Director Ichiyama Shôzô Offers Insight Into a Growing Organization

Posterized November 2024: A Traveler’s Needs, Queer, Flow, Bird & More

New to Streaming: Catherine Breillat, The Substance, Last Things, The Apprentice, and More

Interviews

“Nobody Ever Gave Me Anything”: Alan Rudolph on Robert Altman, Bruce Willis, Kurt Vonnegut, and Resurrecting Breakfast of Champions

Soundtrack to a Coup d’Etat Director Johan Grimonprez on a Jazz-Fueled, Kaleidoscopic Vision of Displaced Blackness

The Making of the Indian Sci-Fi Box-Office Sensation Kalki 2898 AD

Podcasts

The B-Side – Vincent Price (with Gavin Mevius)

The B-Side – Tim Burton (with Maria Lewis)

The Film Stage Show Farewell Episode – Megalopolis

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