Matt Damon and Kristen Wiig Prepare for ‘Downsizing’ in First Teaser

Alexander Payne has made a distinct name for himself with his slightly larger-than-life characters living out relatable journeys. For his next film, he's up...

The 25 Best Fall 2017 Films We’ve Already Seen

Call Me By Your Name, The Square, The Florida Project, Una, and more of the best fall films we've seen....

Fantasia Review: ‘Dead Shack’ is a Tween-Targeted Gore-Fest

I like when a director knows what he/she wants from his/her film — even if the goal is to entertain on a level that ensures its legacy falls short of cinematic ...

Edgar Wright on the Mechanics of a Perfect Action Scene and the Timing of ‘Baby Driver’

We talk to the great craftsman and get into some nuts-and-bolts business, discussing what contemporary editing systems and particular processes add to a picture's final shape....

New to Streaming: ‘T2: Trainspotting, Bong Joon Ho, ‘Mimosas,’ ‘Daughters of the Dust,’ and More

All the newly streaming films on Netflix, FilmStruck, Amazon, and more....

Demetri Martin on ‘Dean,’ Learning from Steven Soderbergh, and Writing Female Characters

We talk with the comedian about his directing and writing debut....

Cannes Review: ‘L’amant double’ is a Bizarre Exercise in Psychological Horror, Erotic Thriller, and Camp

L'amant double is the sort of film you wouldn’t mind seeing Roman Polanski take a stab at. Shot in chic but soulless Parisian interiors, it’s the type of thing ...

Cannes Review: ‘Okja’ is an Intelligent, Ambitious Blockbuster

A dystopian story about a genetically engineered beast with overt anti-capitalist connotations, Bong Joon-ho’s Okja represents a synthesis and an upgrade – in s...

Review: ‘Citizen Jane: Battle for the City’ Tells a Captivating Story From the Annals of American History

The 1960s were a hotbed of activism by necessity. You had civil rights battles for racial and gender equality, protests standing in opposition of new wars comin...

Posterized May 2017: ‘Guardians of the Galaxy Vol. 2,’ ‘Alien: Covenant,’ ‘Risk,’ and More

This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill seats....