The Film Stage - Page 269

MUBI Unveils November 2022 Lineup

MUBI has announced its lineup of streaming offerings for next month, including new restorations of Lars von Trier's The Kingdom I & II ahead of the third i...

James Gray Puts John F. Kennedy Biopic In Sight

As Armageddon Time earns career-best reviews and gears up an awards run, James Gray strikes as the iron's hot. Deadline reports movement on a coming-of-age Joh...

NYC Weekend Watch: Coppola’s Dracula, Shinya Tsukamoto, Cronenberg x3 & More

NYC Weekend Watch is our weekly round-up of repertory offerings. Roxy Cinema Coppola's Dracula, The Ring, and The Love Witch all play on 35mm; Spanish Dr...

New to Streaming: Nadja, Barbarian, Benediction, Stars at Noon & More

Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past r...

The B-Side – Universal Monsters (with Gavin Mevius)

Welcome to The B-Side from The Film Stage. Here we talk about movie stars! Not the movies that made them famous or kept them famous, but the ones that they mad...

Breaking Down the Visual Effects of Blonde and Andrew Dominik’s Meticulous Vision

While there is much to debate about Andrew Dominik's Blonde, one element is less contentious: the remarkable craft of bringing 1940s and 1950s Hollywood back t...

Hayao Miyazaki’s Next Feature How Do You Live? is Nearly Complete

Soon to celebrate his 82nd birthday, Hayao Miyazaki came out of "retirement" yet again to work on his latest animation for Studio Ghibli. The project, titled K...

Watch Trailers for Viennale 2022 by Claire Denis, Ryusuke Hamaguchi, Albert Serra & More

Celebrating its 60th edition this year, the Viennale has marked the occasion by inviting six filmmakers to create trailers for the festival. Featuring work by ...

Wendell & Wild Review: Henry Selick and Key & Peele Team for Stylish Yet Frustrating Animation

Sometimes tragedy begets opportunity. Case in point: Henry Selick's The Shadow King being unceremoniously scrapped by Pixar. It was supposed to be his follow-u...

The Criterion Channel Announce November Lineup: Fox Noir, Sony Pictures Classics, Cure & More

It is fair to assume Criterion could plunder the world of licensed film to build an ultimate noir playlist; credit, then, for focusing sharp and nabbing deep c...

News

Metrograph Launches Print Publication with Inaugural Issue Featuring Ryusuke Hamaguchi, Clint Eastwood, Ari Aster & More

Léa Seydoux, Lee Kang-sheng, Margaret Qualley, Steven Yeun, Natalie Portman, Armie Hammer & More Set Next Roles

Exclusive: Paul Schrader’s Next Films Involve a Pederast Professor and a Wall Street-Set Erotic Thriller

Trailers

Michel Gondry Returns to Animation in First Trailer for Maya, Give Me a Title

Steven Soderbergh Tells a Ghost Story in New Trailer for Presence

Exclusive Trailer for Jōhatsu, a Lithuanian Thriller Exploring a Japanese Phenomenon

Reviews

Juror #2 Review: Courtroom Thriller Represents the Best from Clint Eastwood’s Late Era

The Graduates Review: A Melancholic Look at a Community Bonded by Tragedy

AFI Fest Review: Robert Zemeckis’ Here Plays Like the Anti-Boyhood

Features

Tokyo International Film Festival Artistic Director Ichiyama Shôzô Offers Insight Into a Growing Organization

Posterized November 2024: A Traveler’s Needs, Queer, Flow, Bird & More

New to Streaming: Catherine Breillat, The Substance, Last Things, The Apprentice, and More

Interviews

“Nobody Ever Gave Me Anything”: Alan Rudolph on Robert Altman, Bruce Willis, Kurt Vonnegut, and Resurrecting Breakfast of Champions

Soundtrack to a Coup d’Etat Director Johan Grimonprez on a Jazz-Fueled, Kaleidoscopic Vision of Displaced Blackness

The Making of the Indian Sci-Fi Box-Office Sensation Kalki 2898 AD

Podcasts

The B-Side – Vincent Price (with Gavin Mevius)

The B-Side – Tim Burton (with Maria Lewis)

The Film Stage Show Farewell Episode – Megalopolis

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