A meditation on growing old, growing wiser, and all of life’s transitions, Ralph Arlyck’s personal documentary I Like It Here is a warm, witty, loose, discursi...
Last summer Leos Carax's long-awaited Annette was finally birthed into the world. As delightfully strange and singular as one would expect a musical written by...
I was lucky enough to attend—just as those at New York's Pace Gallery were kind enough to invite me to—a preview of David Lynch's new exhibit, Big Bongo Night,...
Welcome to the return of Intermission, a spin-off podcast from The Film Stage Show. Led by yours truly, Michael Snydel, I invite a guest to discuss an arthouse...
Film connoisseur, cultural critic, and master conversationalist Elvis Mitchell crafts a kaleidoscopic yet personal history of Black cinema with his feature fil...
A decade after The Grandmaster, Wong Kar-wai is finally returning next year with his long-gestating new project Blossoms Shanghai. First produced as a TV serie...
You sometimes have to ask yourself why certain films are worthy of a competition slot at a major festival. If a certain set of themes and aesthetics are requir...
The New York Times just published a Jennifer Lawrence profile anchored in the actress' stated desire to no longer play in a studio-sized, franchise-shaped mold...
Kicking off next week, Japan Society and the Agency for Cultural Affairs, Government of Japan will present an essential look at the remarkable and overlooked c...
While Tom Cruise owned the summer blockbuster, the year will close out with the long-awaited return of the man who takes the tentpole crown: James Cameron. Aft...