The Film Stage - Page 26

Venice Review: Joker: Folie à Deux Pulls a Prank on Incels and Anarchists Everywhere

In a twist for the ages, the greatest joke of Todd Phillips’ Joker sequel––which contains far fewer punchlines than the first, regardless of how they land––is ...

Rebel Ridge Review: Jeremy Saulnier’s Ruthlessly Efficient Thriller Unleashes a Powder Keg of Rage

A ruthlessly efficient thriller fueled by boiling rage, Jeremy Saulnier’s Rebel Ridge wastes no time setting the stakes. Terry Richmond (Aaron Pierre) is liste...

Venice Review: Alex Ross Perry’s Pavements Both Reinvents and Justifies the Rock Doc

If the Hollywood superhero-industrial complex is perishing, the Rolling Stone and Spin magazine extended universe is hastily being built. What better defines “...

First Trailer for Mike Leigh’s Hard Truths Finds Marianne Jean-Baptiste Searching for Happiness

Among the most-anticipated films on the fall festival circuit is the long-awaited return from Mike Leigh with Hard Truths. Marking a reunion with Secrets &...

Venice Review: Sarah Friedland’s Wonderfully Gentle Familiar Touch Heralds a New Voice

In a sunny kitchen in California, Ruth prepares a sandwich with the muscle memory that only a lifetime allows. Bread is toasted and left to cool; dill is picke...

Venice Review: Harmony Korine’s Baby Invasion Sets a New, Anxiety-Inducing Standard for Cinematic Absurdism

At last year's Venice Film Festival, Harmony Korine took a wild left-turn with Aggro Dr1ft, the first feature from his new production company EDGLRD. The myste...

Venice Review: Luca Guadagnino’s Queer is a Hollow, Stylized Vessel of a Film

Where’s the filth? I wrote down the question on page two of my notes, roughly about when Queer entered its second chapter, sending Lee (Daniel Craig) and his y...

Nightbitch Trailer: Amy Adams Undergoes a Canine Transformation

After taking a bit of a break, not appearing in a film since 2022's Disenchanted, Amy Adams is back in full force this fall, leading Marielle Heller's A Beauti...

Venice Review: Athina Rachel Tsangari’s Harvest Beautifully Renders the Past Present

An unnamed village, an unknown time; somewhere in Britain, sometime in the Late Middle Ages, something is about to end. Athina Rachel Tsangari’s Harvest sees t...

Red Rooms Review: Nihilistic Thriller and Stealth Satire is an Unsettling Examination of True-Crime Obsession

Killers of the Flower Moon's epilogue felt like the last word on true crime: a director with several based-on-a-true-story tales to his name emerging from behi...

News

MUBI’s December 2024 Lineup Includes Dahomey, Bird, The People’s Joker & More

No Other Land Announced as Winner of the 2024 Indie Film Site Network Advocate Award

First Images From Andrew Ahn’s The Wedding Banquet Remake Starring Lily Gladstone, Kelly Marie Tran, Bowen Yang & More

Trailers

DIG! XX Trailer: Ondi Timoner’s Cult Classic Rock Doc Gets Expanded Edition This January

Exclusive Trailer for Ben Petrie’s The Heirloom Introduces Acclaimed Rom-Com Psychodrama

First Trailer for Paolo Sorrentino’s Parthenope Offers Up Romance in Naples

Reviews

The Black Sea Review: A Dynamic Lead Performance Drives Familiar Fish-Out-of-Water Story

Thessaloniki Review: When the Light Breaks Showcases a Dawn-to-Dusk Tragedy with Raw Depth

Wicked: Part I Review: Wizard of Oz Prequel Is Stale as Blockbusters Can Be

Features

New to Streaming: Blitz, The Piano Lesson, Flipside, We Live in Time, Alien: Romulus & More

NYC Weekend Watch: Dirty Work, Shelley Duvall, Robert Frank & More

The Best Movies Now Playing in Theaters

Interviews

Payal Kapadia on All We Imagine as Light, Impermanence, Magical Realism, and Trilogy Plans

Barry Keoghan on Young Fatherhood, Loving La La Land, and the Movement of Andrea Arnold’s Bird

NYC Weekend Watch: Ken Kelsch, Il Grido, Flesh for Frankenstein 3D & More

Podcasts

The B-Side – Gwyneth Paltrow (with Cory Everett)

The B-Side – Vincent Price (with Gavin Mevius)

The B-Side – Tim Burton (with Maria Lewis)

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