The Film Stage - Page 243

NYC Weekend Watch: To Save and Project, Daddy Longlegs, Fred Ward & More

NYC Weekend Watch is our weekly round-up of repertory offerings. Museum of Modern ArtAlways a highlight of the repertory year, To Save and Project highlight...

Exclusive Trailer for The Blind Man Who Did Not Want to See Titanic Follows an Impaired Movie Lover’s Suspenseful Adventure

A week before James Cameron's 1997 box-office behemoth returns to theaters, we'll see the release of an acclaimed festival favorite in which his Best Picture w...

Skinamarink Review: Impressionistic Indie Spooker Seeks Nostalgia, Finds Monotony

“1995” declares a 1970s-style title card in the opening minutes of Kyle Edward Ball’s Skinamarink, a film presented in fake grain filters meant to suggest the ...

Nick Newman’s Top 10 Films of 2022

Following The Film Stage's collective top 50 films of 2022, as part of our year-end coverage, our contributors are sharing their personal top 10 lists. Just...

A Man Called Otto Review: Tom Hanks Leads a Remake with a Shallow, Small Heart

In Marc Forster’s A Man Called Otto, Tom Hanks plays a grump. He patrols his neighborhood with a scowl on his face, hoping to poke fun and ultimately subvert o...

Jena Malone Uncovers Sins of the Church in First Trailer for Christopher Smith’s Consecration

First landing on my radar with the back-to-back genre blasts Triangle and Black Death, director Christopher Smith is returning this year with Consecration. Led...

Francis Ford Coppola’s New Re-Edit & Restoration B’Twixt Now and Sunrise Arrives in February

As Francis Ford Coppola defends misguided reports of chaos on the set of his long-in-the-works, $100 million-plus epic Megalopolis, the director has also found...

Exclusive Trailer for Filmmakers for the Prosecution Explores the Search for Celluloid to Convict the Nazis

If a picture speaks a thousand words, then the power of film to convey an idea or feeling is simply boundless. Filmmakers for the Prosecution, a new documentar...

Caleb Hammond’s Top 10 Films of 2022

Following The Film Stage's collective top 50 films of 2022, as part of our year-end coverage, our contributors are sharing their personal top 10 lists. When...

Francis Ford Coppola and Adam Driver Respond to Megalopolis Rumors; Mike Figgis Plans a Behind-the-Scenes Documentary

Update: A close source has relayed word from certain members of Megalopolis' crew; they describe the set of Coppola's film as the smoothest they've worked in s...

News

Léa Seydoux, Lee Kang-sheng, Margaret Qualley, Steven Yeun, Natalie Portman, Armie Hammer & More Set Next Roles

Exclusive: Paul Schrader’s Next Films Involve a Pederast Professor and a Wall Street-Set Erotic Thriller

2024 Gotham Awards Nominations Unveiled

Trailers

First Trailer for Luca Guadagnino’s Queer Follows Daniel Craig Searching for a High

Ride a Dreamlike Musical Carousel in Exclusive Trailer for Signe Birkova’s Lotus, Partly Shot on a 1920s Camera

Raoul Peck Investigates a Photographer Pioneer in First Trailer for Ernest Cole: Lost and Found

Reviews

The Graduates Review: A Melancholic Look at a Community Bonded by Tragedy

AFI Fest Review: Robert Zemeckis’ Here Plays Like the Anti-Boyhood

AFI Fest Review: My Favourite Cake Finds an Autumnal Romance Blooming Under Iranian Authoritarianism

Features

Tony Leung, Johnnie To, and Chiara Mastroianni Talk Cinema’s Future as the 2024 Tokyo International Film Festival Begins

New to Streaming: Trap, One False Move, Rap World, Daaaaaalí!, The Remarkable Life of Ibelin & More

NYC Weekend Watch: Shadows of Forgotten Ancestors, Candy Mountain, Chantal Akerman, Azazel Jacobs & More

Interviews

“Nobody Ever Gave Me Anything”: Alan Rudolph on Robert Altman, Bruce Willis, Kurt Vonnegut, and Resurrecting Breakfast of Champions

Soundtrack to a Coup d’Etat Director Johan Grimonprez on a Jazz-Fueled, Kaleidoscopic Vision of Displaced Blackness

The Making of the Indian Sci-Fi Box-Office Sensation Kalki 2898 AD

Podcasts

The B-Side – Vincent Price (with Gavin Mevius)

The B-Side – Tim Burton (with Maria Lewis)

The Film Stage Show Farewell Episode – Megalopolis

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