Slowly but surely the earlier work of Claire Denis is getting restorations and re-releases, from Beau Travail to L'intrus to No Fear No Die. While we hope Frid...
The trick to Sharper––a new con picture from director Benjamin Caron––is that it's deceivingly simple. Featuring multiple lead characters, many points of view,...
“I’m a new filmmaker,” Linh Tran tells me at one point, with an emphasis on the word new, when talking about Waiting for the Light to Change. Born in Vietnam, ...
“I use technology in order to hate it properly," pioneering video artist and self-identified cultural terrorist Nam June Paik says while explaining his playful...
Maryam Keshavarz's semi-autobiographical feature The Persian Version is an energetic family comedy chronicling three generations of Iranian women in the US. An...
This is the customary sentence noting it can be easy to take Hong Sangsoo for granted. The prolificacy of which should tell us he's as appreciated as ever, and...
Repeating the blissfully perfect, pure ode to pleasure that is Magic Mike XXL would be a fool’s errand, so nearly a decade later––with Steven Soderbergh back i...
The YouTube-to-feature-filmmaking pipeline will only become more common in the years to come as young creators who develop their voice on the platform get scou...
Hlynur Pálmason’s working methods push against traditional notions of filmmaking in almost every regard. He lives in a remote Icelandic village with his family...
To celebrate the release of My First Movie: Vol. 1, we’re bringing Cinephile Game Night back to the Alamo Drafthouse Brooklyn this month and you’re invited! Th...