The Film Stage - Page 203

U.S. Trailer for Charlotte Le Bon’s Feature Debut Falcon Lake Brings a Ghostly Love Story

Whether it's Michel Gondry's Mood Indigo, Robert Zemeckis' The Walk, The Hundred-Foot Journey, Anthropoid, The Promise, or last year's Fresh, chances are you'v...

First Trailer for Takeshi Kitano’s Epic Kubi Arrives Ahead of Cannes 2023 Premiere

One of our most-anticipated films in the Cannes Film Festival 2023 lineup is the latest work from Japanese filmmaker Takeshi Kitano. Kubi, set to debut in the ...

Celebrate Ryuichi Sakamoto’s Gifts to Cinema In Exclusive Trailer for Metrograph’s New Retrospective

Ryuichi Sakamoto's death sent waves of shock and grief alike, the rare passing that suggested losing some necessary force in the universe. It would be true for...

Apichatpong Weerasethakul on Evolving Cinematic Memories and a Shared Global Consciousness

It’s often said that the sign of a true craftsman is the ability to make complex tasks look effortless (there’s even an Italian phrase for this skill, “sprezza...

T.S. Eliot’s Four Quartets Review: A Masterpiece Recited & Reimagined For Our Perilous Times

Art made during COVID––more specifically during quarantine and before / at the very beginning of the vaccine rollout––will surely hold an added weight as histo...

Listen to a New Album of Film Scores by Bertrand Bonello

Before presenting his latest masterwork Coma at Toronto's Innis Town Hall this Thursday, May 4––TFS readers get a 10% discount with the code "TFSComa"––I'm del...

5 Must-See Films at Prismatic Ground 2023

Prismatic Ground is becoming a must-attend filmmaker-centered showcase on the rise for underground documentaries, avant-garde, and experimental cinema in the h...

Cyprus Film Days Review: Love Dog Conjures a Vivid, Engrossing Study of Mourning

Late into Bianca Lucas’ feature debut, a character ventures a few verses: “Listen to the moan of a dog for its master / That whining is the connection / There ...

First Look at Natalie Portman & Julianne Moore in Todd Haynes’ May December

After exploring the history of the Velvet Underground, Todd Haynes is returning with his first narrative feature since 2019's severely overlooked Dark Waters t...

32 Sounds Review: Sam Green Makes Sound Great Again

As engaging and impressive a documentary as you're going to see, 32 Sounds starts with a kind of obvious––yet eminently under-asked––question: why do most of u...

News

Bertand Bonello, Takashi Miike, Nikyatu Jusu, and More Plan Next Features

James Gray to Direct Adam Driver, Jeremy Strong, and Anne Hathaway in Paper Tiger

Tarsem Singh, Jaume Collet-Serra, Kim Jee-woon, Paul W.S. Anderson & More Set Next Films

Trailers

Armand Trailer: Renate Reinsve Leads Norway’s Oscar Contender

Oh, Canada Trailer: Richard Gere Reflects on His Life in Paul Schrader’s Poignant Drama

Billy Zane Transforms into Marlon Brando in First Trailer for Waltzing with Brando

Reviews

Riga Review: Dreamy Stereoscopic 3D Folk Tale Twittering Soul is One of a Kind

Riga Review: Saulė Bliuvaitė’s Locarno-Winning Toxic Will Worm Its Way Inside You

AFI Fest Review: September 5 is a Competent But Bloodless Thriller

Features

New to Streaming: A Different Man, The Outrun, My Old Ass, Used Cars & More

Five Highlights from the 2024 Tokyo International Film Festival

The Best Movies Now Playing in Theaters

Interviews

NYC Weekend Watch: Ken Kelsch, Il Grido, Flesh for Frankenstein 3D & More

“Life Is Worth Celebrating”: Tyler Taormina on Christmas Eve in Miller’s Point

Kani Kusruti on All We Imagine as Light, Girls Will Be Girls, and Indian Moviegoing Culture

Podcasts

The B-Side – Vincent Price (with Gavin Mevius)

The B-Side – Tim Burton (with Maria Lewis)

The Film Stage Show Farewell Episode – Megalopolis

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