The headline would almost suffice. Would there be something expansive to report, word of––I'll repeat––Shia LaBeouf writing a film about Auschwitz for Abel Fer...
After a fairly quiet last few years (at least since his iconic brief stint in David Lynch's Twin Peaks: The Return), Michael Cera is back in the spotlight. Thi...
With Cobweb, South Korean genre stalwart Kim Jee-woon falls back on that old piece of received wisdom: “movie people, ain’t they crazy?” When in self-satirizin...
Our latest roundup of new books related to the world of cinema is full of indelible imagery––the pale face of Lost Highway’s Mystery Man, John Ford’s craggy vi...
Following The Wild Boys and After Blue, Conann marks the third feature-length project from prolific shorts filmmaker Bertrand Mandico. Many are still not convi...
Killers of the Flower Moon's corpse isn't even cold––can I continue torturing this metaphor? it's a holiday and I shouldn't even be working––but Martin Scorses...
While Sofia Coppola is in the editing room ahead of a fall release of her Priscilla Presley drama, she's found time to complete her first book and, as recently...
Wim Wenders is back, and he’s brought Lou Reed (still dead) with him. It’s not that Wenders hasn’t been making films. He has. It’s just that the only good ones...
The 76th edition of the Cannes Film Festival came to an end today at the awards ceremony, featuring prizes handed out by jury president Ruben Östlund and membe...
The pastures in Nuri Bilge Ceylan’s luminous new film are only dry at the very end. Save for that brief summery coda, the landscape in About Dry Grasses remain...