When Phool (Nitanshi Goel) almost trips while rushing to the train station to accompany husband Deepak (Sparsh Shrivastava) to her new home because of the veil...
I was thinking about my motherI was thinking about what’s mineI was living my life like a HollywoodBut I was dying, dying on the vine
–– John Cale
It was...
Tempting though it is to pen this review in the voice and style of Mort Rifkin, the most indelible Woody Allen character in years, the embattled New York-born ...
NYC Weekend Watch is our weekly round-up of repertory offerings.
Film ForumAn essential retrospective of Ousmane Sembène, featuring 35mm prints and new rest...
Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past r...
It’s one thing to ask a casual soccer fan if they've ever heard of the 1971 Women’s World Cup and hear a “No.” It’s another to get the same response from two-t...
While Terrence Malick happily toils away on year five of editing his Biblical epic The Way of the Wind, he's found a number of artistic diversions in recent ye...
Pete Gleeson’s 2016 documentary Hotel Coolgardie came and went on the festival circuit, but it made a strong impression on those who caught it. Following two y...
It’s 2023 and the early 2000s are having a moment: blog rock is being celebrated, nü metal is back, and Emerald Fennell––perhaps recognizing this vibe shift––s...
One night in 2016, I was working at a small movie theater in Austin, Texas, when a man leaned over the cash register and shook my hand. “Thanks for tonight,” h...