The Film Stage - Page 146

John Woo Makes His Wordless Return In Silent Night Trailer

It's always worthwhile noting John Woo has a new film coming out, even if it's been a second or so since one completely and totally lived up to his name. (Manh...

First Trailer for Ryusuke Hamaguchi’s Evil Does Not Exist Takes a Serene Look at Protecting Nature

One of the best surprises in cinema this year was the news that Ryusuke Hamaguchi, just two years after his perfect one-two punch of Wheel of Fortune and Fanta...

New Trailer for Sofia Coppola’s Priscilla Shows a Different Side of Rock ‘n’ Roll History

One of the very best films of the year, Sofia Coppola's Priscilla is a pitch-perfect look at the darker side of Graceland, refiguring the legacy of Elvis (Jaco...

NYFF Review: Andrew Haigh’s All of Us Strangers is a Heartbreaking Ghost Story

In the climactic moment of 45 Years, Andrew Haigh’s portrait of an elderly couple whose marriage cracks the week of a milestone anniversary, Kate (Charlotte Ra...

NYFF Review: Mambar Pierrette is an Ode to Working-Class Mothers

Cameroonian filmmaker Rosine Mbakam uses familiar spaces as microcosms of society. After capturing her subjects in one setting, such as a mall in Chez Jolie Co...

NYFF Review: In The Pigeon Tunnel, Errol Morris Pays Extensive Homage to Spy Novelist John le Carré

You've no doubt heard of John le Carré––at least for the film adaptations of his novels, among them The Spy Who Came in from the Cold, A Most Wanted Man, and T...

NYFF Review: Foe is a Locked Box with Nothing Inside

Foe’s potential is immense. The new sci-fi drama from director Garth Davis, who garnered acclaim after 2016’s Lion, stars beloved under-30 actors in Paul Mesca...

NYFF Review: La Práctica Displays Martín Rejtman’s Comedic Mastery

You’re plenty absolved for not knowing the deal. It’s been 30 years since Martín Rejtman’s debut feature (Rapado), almost 10 from his last (Two Shots Fired), a...

NYC Weekend Watch: Summer Hours, Klute, Gregg Araki & More

NYC Weekend Watch is our weekly round-up of repertory offerings. Museum of the Moving ImageReverse Shot celebrates its 20th anniversary with a months-l...

BFI London Review: The Hypnosis is a Toni Erdmann-Esque Cringe Comedy Skewering Corporate Culture

Toni Erdmann wasn’t the first film to skewer corporate culture, but the epic-length comedy struck a chord with many for how it used a fish-out-of-water conceit...

News

Bertand Bonello, Takashi Miike, Nikyatu Jusu, and More Plan Next Features

James Gray to Direct Adam Driver, Jeremy Strong, and Anne Hathaway in Paper Tiger

Tarsem Singh, Jaume Collet-Serra, Kim Jee-woon, Paul W.S. Anderson & More Set Next Films

Trailers

Billy Zane Transforms into Marlon Brando in First Trailer for Waltzing with Brando

The End Trailer: Tilda Swinton, Michael Shannon, and George MacKay Ring in the Apocalypse

Michel Gondry Returns to Animation in First Trailer for Maya, Give Me a Title

Reviews

Riga Review: Saulė Bliuvaitė’s Locarno-Winning Toxic Will Worm Its Way Inside You

AFI Fest Review: September 5 is a Competent But Bloodless Thriller

AFI Review: Vermiglio Paints a Lyrical Portrait of Desires Constrained by Catholicism

Features

The Best Movies Now Playing in Theaters

Tokyo International Film Festival Artistic Director Ichiyama Shôzô Offers Insight Into a Growing Organization

Posterized November 2024: A Traveler’s Needs, Queer, Flow, Bird & More

Interviews

“Life Is Worth Celebrating”: Tyler Taormina on Christmas Eve in Miller’s Point

Kani Kusruti on All We Imagine as Light, Girls Will Be Girls, and Indian Moviegoing Culture

“Less Money, More Liberty”: Paulo Branco on a Cinematic Life with David Cronenberg, Manoel De Oliveira, and Raúl Ruiz

Podcasts

The B-Side – Vincent Price (with Gavin Mevius)

The B-Side – Tim Burton (with Maria Lewis)

The Film Stage Show Farewell Episode – Megalopolis

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