The Film Stage - Page 133

Tony Leung and Andy Lau Square Off In New, English-Subtitled Trailer for The Goldfinger

Update: The Goldfinger will also get a U.S. and Canada theatrical release on December 30. It's been a long wait for The Goldfinger, which reunites Infernal ...

Rodrigo Prieto on Martin Scorsese’s Method and Formatting Killers of the Flower Moon and Barbie for IMAX

It's often the case that cinematographers are worth an interview no matter their film or director. Rodrigo Prieto, on the other hand, presents a larger canvas....

Smoke Sauna Sisterhood Review: A Noble if Too-Clinical Portrait of Women Talking

Generally, when I enter the small sauna room at my local YMCA after a workout, I’m prone to eavesdrop (it is a confined space, after all) on a group of men opi...

NYC Weekend Watch: World Cinema Project, Peeping Tom, The Long Day Closes, the Before Trilogy & More

NYC Weekend Watch is our weekly round-up of repertory offerings. Anthology Film ArchivesThe films of Martin Scorsese’s World Cinema Project are sc...

New to Streaming: Oppenheimer, Afire, Stamped from the Beginning & More

Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past r...

Alma Pöysti on the Soft Smiles and Sad Songs of Aki Kaurismäki’s Fallen Leaves

Aki Kaurismäki’s 20th film keeps his signature humor and style. Fallen Leaves, starring Alma Pöysti and Jussi Vatanen as lonely, meant-to-be lovers, finds the ...

The Film Stage Show Ep. 520 – The Killer (with Noah Gittell)

Welcome to a new episode of The Film Stage Show! On a new episode, Brian Roan and Robyn Bahr are joined by special guest Noah Gittell to discuss David Fincher'...

Hirokazu Kore-eda on Why Monster is Not Like Rashomon, Queer Storytelling, and Ryuichi Sakamoto

Returning to Japan for the first time since his Palme d'Or-winning Shoplifters - after venturing to France and South Korea - Hirokazu Kore-eda's Monster was in...

First Look at Robert Eggers’ Nosferatu Brings Murnau to the Modern Age

Update: Nosferatu will open on December 25, 2024. After his biggest project yet with The Northman, Robert Eggers jumped quickly into his long-developing pas...

Film Fest Knox Introduces New Ways of Seeing in Inaugural Edition

We are less than a year removed from Robert Redford’s provocative declaration, at the 2023 Sundance Film Festival’s opening presser, that “there are too many f...

News

David Fincher’s Remastered Se7en Comes to IMAX to Kick Off 2025

Criterion Collection’s February 2025 Lineup Features Paul Thomas Anderson, Jean-Luc Godard, Crossing Delancey & More

Exclusive: New Restoration of Queer Drama By Hook or By Crook Acquired by Altered Innocence for Spring 2025 Release

Trailers

Tatsuya Nakadai Goes on Cold-Blooded Mission in Exclusive Trailer for New Restoration of Hideo Gosha’s Cash Calls Hell

Nicole Kidman and Harris Dickinson Find Pleasure in New Trailer for Babygirl

Pamela Anderson is The Last Showgirl in First Trailer for Gia Coppola’s Drama

Reviews

Allen Sunshine Review: A Tranquil Debut Feature with a World of Feeling

Gladiator II Review: Ridley Scott’s Sequel Bests Predecessor By Going Dumb

Riga Review: Dreamy Stereoscopic 3D Folk Tale Twittering Soul is One of a Kind

Features

Appreciating a Pioneer: Pittsburgh Celebrates Queer Local Filmmaker Roger Jacoby with World Premiere Restorations

New to Streaming: Megalopolis, Rumours, Look Into My Eyes, An Almost Christmas Story, and More

NYC Weekend Watch: The Limits of Control, Ealing Studios & More

Interviews

Payal Kapadia on All We Imagine as Light, Impermanence, Magical Realism, and Trilogy Plans

Barry Keoghan on Young Fatherhood, Loving La La Land, and the Movement of Andrea Arnold’s Bird

NYC Weekend Watch: Ken Kelsch, Il Grido, Flesh for Frankenstein 3D & More

Podcasts

The B-Side – Gwyneth Paltrow (with Cory Everett)

The B-Side – Vincent Price (with Gavin Mevius)

The B-Side – Tim Burton (with Maria Lewis)

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