The Film Stage - Page 123

Thessaloniki Review: The Animal Kingdom is an Uneven Beast of a Sci-Tale

In The Animal Kingdom, an Un Certain Regard-selected science-fiction romp from France, human-animal mutations are the new norm. Director Thomas Cailley begins ...

The Film Stage Show Ep. 522 – May December (with Kyle Turner)

Welcome to a new episode of The Film Stage Show! On a new episode, Brian Roan and Robyn Bahr are joined by special guest Kyle Turner to discuss Todd Haynes' Ma...

May December, Past Lives, and American Fiction Lead 2024 Film Independent Spirit Awards Nominations

While the likes of Oppenheimer, Barbie, and Killers of the Moon will likely battle it out at the Oscars, Film Independent Spirit Awards is putting the spotligh...

Concrete Utopia Review: South Korea’s Oscar Entry Delivers Class Satire and Genre Blockbuster Thrills

Just as Pulp Fiction triggered a wave of inferior gangster flicks with a penchant for witty, fast-paced dialogue and Get Out paved the way for several socially...

New Trailer for Jonathan Glazer’s The Zone of Interest Provides a Next-Door View of Horrors

Ten years after Jonathan Glazer debuted Under the Skin, he's now reteamed with A24 for the chilling Holocaust drama The Zone of Interest. Based on Martin Amis’...

Wonka Review: Timothée Chalamet is Miscast in Beautiful, Belabored Prequel

When it was first announced Warner Bros. was in the early stages of developing a Charlie and the Chocolate Factory prequel about Willy Wonka’s rise to fame and...

Slamdance Film Festival 2024 Unveils Lineup

Returning for its 30th anniversary edition next year, Slamdance Film Festival has now unveiled its full film lineup for 2024. Kicking off with Oscar-winning fi...

Charlie Chaplin’s A Woman of Paris Returns with Trailer for 4K Restoration

The lesser-known of Charlie Chaplin's canon might still place among the finest films ever made, and his greatest scholars and acolytes will tell you A Woman of...

The Best Documentaries of 2023

Going deep inside the human body, rethinking a Thelonious Monk interview, solitary island life, capturing one of the finest restaurants in the world, exploring...

Posterized December 2023: The Zone of Interest, Poor Things, The Iron Claw & More

Holidays and awards season collide with a plethora of Oscar contenders vying for screens––whether it's The Color Purple (December 25), Ferrari (Decembe...

News

Exclusive: Paul Schrader’s Next Films Involve a Pederast Professor and a Wall Street-Set Erotic Thriller

2024 Gotham Awards Nominations Unveiled

Yokohama BJ Blues Makes U.S. Theatrical Premiere on November 11 from Amnesiascope

Trailers

First Trailer for Luca Guadagnino’s Queer Follows Daniel Craig Searching for a High

Ride a Dreamlike Musical Carousel in Exclusive Trailer for Signe Birkova’s Lotus, Partly Shot on a 1920s Camera

Raoul Peck Investigates a Photographer Pioneer in First Trailer for Ernest Cole: Lost and Found

Reviews

AFI Fest Review: Robert Zemeckis’ Here Plays Like the Anti-Boyhood

AFI Fest Review: My Favourite Cake Finds an Autumnal Romance Blooming Under Iranian Authoritarianism

NYFF Review: On Becoming a Guinea Fowl is a Powerfully Enraging, Surreally Comedic Look at Zambian Tradition

Features

Tony Leung, Johnnie To, and Chiara Mastroianni Talk Cinema’s Future as the 2024 Tokyo International Film Festival Begins

New to Streaming: Trap, One False Move, Rap World, Daaaaaalí!, The Remarkable Life of Ibelin & More

NYC Weekend Watch: Shadows of Forgotten Ancestors, Candy Mountain, Chantal Akerman, Azazel Jacobs & More

Interviews

Soundtrack to a Coup d’Etat Director Johan Grimonprez on a Jazz-Fueled, Kaleidoscopic Vision of Displaced Blackness

The Making of the Indian Sci-Fi Box-Office Sensation Kalki 2898 AD

“100 Clichés Move Us”: Rumours Directors Guy Maddin, Evan Johnson & Galen Johnson on Finding Humor in a World in Crisis

Podcasts

The B-Side – Vincent Price (with Gavin Mevius)

The B-Side – Tim Burton (with Maria Lewis)

The Film Stage Show Farewell Episode – Megalopolis

Read More