Welcome to a new episode of The Film Stage Show! On a new episode, Brian Roan and Robyn Bahr are joined by special guest Ed Symkus to discuss Sean Durkin's The...
As inevitable as a new day comes another François Ozon film––accomplishing the deft task of feeling equally breezy and clever, but never clearing an overall lo...
Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past r...
Film at Lincoln CenterA massive Edward Yang retrospective, New York's first in a dozen years, has begun, featuring new restorations of A Confucian Confusion an...
Following The Film Stage's collective top 50 films of 2023, as part of our year-end coverage, our contributors are sharing their personal top 10 lists.
Afte...
In English filmmaker Andrew Haigh’s All of Us Strangers, grief is overwhelming. Emotions run deep, relationships ebb within the span of a scene, and loneliness...
How do you embody pure evil? While the discussion swirls regarding precisely how much Jonathan Glazer's The Zone of Interest is meant to humanize the Nazis, by...
Early 2020s mainstream cinema may be continually dire, but even a fanatic like me is still willing to recognize patterns within. You can certainly place the ne...
Following The Film Stage's collective top 50 films of 2023, as part of our year-end coverage, our contributors are sharing their personal top 10 lists.
When...
If it's been a patchy few years for Errol Morris––one solid doc in-between a bad Steve Bannon portrait and iffy look at John le Carré––our interest in his thor...