For way too long now, the concept of #girlpower in comedies has been dominated by white female narratives in which women of color are an afterthought, either pl...
As is customary, when a new Michael Haneke film premieres at Cannes, we don't see it until the very end of the year. The case is no different with his lates...
The long-scarce, oft-praised work of Jean-Marie Straub and Danièle Huillet has found a home with Grasshopper Film, whose first release will be the duo's 197...
After Patty Jenkins delivered the first DCEU film that audiences genuinely embraced with Wonder Woman earlier this summer, another film featuring the superh...
Are there rules on how to make a space epic? If there are, Luc Besson has certainly never heard them because in Valerian and the City of a Thousand Planets, he ...
Here at The Film Stage, we’ve been following the career of budding independent filmmaker Gary King from his early New York-based films New York Lately and W...
There's a captivating science fiction horror concept at the back of director Norbert Keil and co-writer Richard Stanley's Replace with the question: how far wou...
In less than three months we'll be getting Denis Villeneuve's sequel to Ridley Scott's landmark sci-fi film, and we imagine WB wants audiences to embrace Bl...