It's hard to say what's more endearing about Takashi Miike these days: that the director of Audition and Ichi The Killer is still out there producing work at t...
With an evocative opening-credits sequence as the camera swirls through a virtual landscape of neon signs and lights, one might think they are witnessing the b...
Evoking Gordon Park's black-and-white photographs of the New Deal Era, cinematographer Brittany Shyne’s powerful debut feature Seeds offers a portrait of a...
Early one morning, a single father and widower (John Magaro)––credited as Dad––wakes up his perceptive nine-year-old Ella (Molly Belle Wright) and mischievous ...
There is an unbridled honesty to André Is an Idiot that is admirable, even if all of it doesn't really work. It's a simple, stark subject for a documentary: ac...
With Sundance wrapped up, much of February's attention toward the world of cinema will be on Berlinale. This month certainly isn't stacked for new releases, bu...
Sensitive and nuanced, Katarina Zhu’s directorial debut Bunnylovr is a compelling character study that never quite makes sense of the messy life of personal as...
After his long-awaited return with Crimes of the Future, David Cronenberg returned last year to the festival circuit with The Shrouds, a darkly funny conspirac...
NYC Weekend Watch is our weekly round-up of repertory offerings.
Roxy CinemaOne of our era's great musicians, Lex Walton, introduces I-Be Area on Friday; Ba...
Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past r...