Earlier this year, Civil War proved Alex Garland wasn't so much interested in the politics of a divided country, rather curious about the questions of morality...
As evidenced in our best cinematography round-up, one of the year's most beautiful movies is Maura Delpero’s Vermiglio, shot by Leviathan and The End cinematog...
One of the most delicate, heartwarming films I saw at Sundance Film Festival earlier this year was Sally Aitken's Every Little Thing, which follows the journey...
In the last couple years I’ve conducted two very long interviews with Rob Tregenza, whose journey through cinema comprises four independent features of stagger...
We're now finally just about a week away from the U.S. release of Brady Corbet's The Brutalist, which will roll out in NY and LA in 70mm engagements starting n...
Christophe Honoré fans have much to celebrate this January. Ahead of his latest feature, the meta Chiara Mastroianni-led Cannes selection Marcello Mio, arrivin...
A premiere at Venice Film Festival last year, Tommaso Santambrogio's Oceans Are the Real Continents tells a trio of stories of migration, exile, and memory in ...
Following up his debut feature Thief, Michael Mann embarked on The Keep, a supernatural horror thriller set in Romania during World War II that, amidst editing...
One of the more formally impressive features I saw at Sundance earlier this year was the latest from Identifying Features team Astrid Rondero and Fernanda Vala...
A heavy influence on major recent Hollywood musicals such as La La Land, Barbie, and even, perhaps most blatantly, Joker: Folie à Deux, Jacques Demy's musical ...
