A recent episode of Amazon's The Boys showed a superhero shrink to the size of an uncooked grain of rice and walk into the shaft of his lover's penis. The epis...
Director Elie Grappe and co-writer Raphaëlle Desplechin waste no time showing their gymnast drama Olga is about more than the parallel bars. They introduce 15-...
Earlier this year, in Goran Stolevski’s You Won’t Be Alone, a young witch becomes enamored with the life of humans. She starts to interact in a world where she...
The Wizard of Oz has become a tradition. Synonymous with the wonder of childhood and the wonder of movies, Victor Fleming's 1939 classic plays in homes across ...
Last year, in an article for Blood Knife, R.S. Benedict diagnosed a central issue plaguing most modern action movies: “Everyone is beautiful. And yet, no one i...
Why don't we address the elephant in the room? Fourth of July is of course the surprise new film from Louis C.K., which as pitted against the decadence of prev...
Hearing that author Suzanne Allain originally set her idea—a bachelor utilizes an impossible list of criteria to find the "perfect" bride in modern day—before ...
At a time when western cinema is in its most self-consciously liberal mode ever, it’s hard not to have mixed feelings about John Michael McDonagh's The Forgive...
In the world of Gregoris Rentis’ Dogwatch, pirates are the new Godot. The greek filmmaker's feature documentary debut is all about waiting: waiting to leave, t...
If the title of Simon Brückner’s new documentary conjures images of Bavarian beer halls or seedy nights at Kit Kat, don’t get your hopes up. There is an ample ...
