Support the Girls, Andrew Bujalski’s previous feature, was a far cry from his usual subgenre of mumblecore, with which he made his mark and was the primary foc...
One of Russell Crowe's greatest strengths as a movie star is his ability to make it look easy. When he's at his best, it often looks like he's barely trying. W...
Despite the intentions of any director or director of photography, the person with the final say in how a film will look when screened for an audience is the p...
A departure from Cirque du Soleil’s previous theatrical features (2012’s Worlds Away and the 2000 3D IMAX short Journey of a Man), Dawn Porter’s Cirque du Sole...
There’s a common view that one needs distance and perspective to truly process and reconcile current events before making a worthwhile film on any particular s...
A comprehensive, personal, and kaleidoscopic look at representation, Elvis Mitchell’s Is That Black Enough For You?!? is a passionate and loving walk through f...
“This one’s a little different” is what every critic trots out while reviewing a new Marvel movie, as if they’re not all running the same plays to inevitable e...
A meditation on growing old, growing wiser, and all of life’s transitions, Ralph Arlyck’s personal documentary I Like It Here is a warm, witty, loose, discursi...
You sometimes have to ask yourself why certain films are worthy of a competition slot at a major festival. If a certain set of themes and aesthetics are requir...
Christine's (Eva Green) perfect life comes crashing down with a phone call on what should be the best day of her professional career. A children's clothing fas...
