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    • The Criterion Collection’s May Lineup Includes Akira Kurosawa, Bob Fosse, and Joachim Trier on 4K

    • First Look at Jane Schoenbrun’s Teenage Sex and Death at Camp Miasma, Set for August Release

    • Isabelle Huppert is The Blood Countess in Exclusive Poster for Ulrike Ottinger’s Berlinale Premiere

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    • Legendary Director Haile Gerima Returns in Exclusive Trailer for Black Lions – Roman Wolves, Premiering at Berlinale

    • Two Prosecutors Trailer: Sergei Loznitsa Captures a Quest for Justice

    • Omaha Trailer: John Magaro Takes a Heartbreaking Road Trip

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    • Rotterdam Review: First Light is a Calm, Confident Debut

    • Good Luck, Have Fun, Don’t Die Review: Gore Verbinski Finally Returns with Refreshingly Madcap Adventure

    • My Father’s Shadow Review: A Lovely Tale of Familial Bonding That Plays Things Safe

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    • NYC Weekend Watch: Diane Keaton, The Brown Bunny, 2001 In Cinema & More

    • New to Streaming: Marty Supreme, Is This Thing On?, The Librarians, Happyend & More

    • The Best Movies Now Playing in Theaters

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    • “We Cut 95% of It Out”: Matt Johnson on Nirvanna the Band the Show the Movie, Constant Re-Editing, and Season 3

    • Cashiers Du Cinéma Editors on Programming Their BAM Series and Celebrating Cinema Workers

    • Sam Rockwell on His Most Overlooked Films and Working with Gore Verbinski

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    • The B-Side Ep. 175 – Rachel McAdams

    • The Best Films of 2025 and Most-Anticipated Films of 2026

    • The B-Side Ep. 174 – James Stewart (with Mitchell Beaupre)

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    • “I Still Feel Like an Outcast”: Michael Almereyda on Nadja, Peter Fonda, David Lynch’s Fantômas, and Zero K

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News

Todd Haynes Sets Trust with Kate Winslet and HBO; First Logline for Joaquin Phoenix Film Arrives

Jane Schoenbrun Reveals “Funny and Grisly” Next Film Teenage Sex and Death at Camp Miasma

Exclusive: I’m “George Lucas”: A Connor Ratliff Story Acquired by Grasshopper Film

Wes Anderson’s The Phoenician Scheme Adds Scarlett Johansson, Tom Hanks, Willem Dafoe, Benedict Cumberbatch, Charlotte Gainsbourg & More

Watch David Lynch’s Music Video for “Sublime Eternal Love” Ahead of New Album Cellophane Memories

Japan Cuts 2024 Includes Films by Hideaki Anno, Takeshi Kitano, Shinya Tsukamoto, Shinji Somai & More

Watch Two Exclusive Clips from The All Golden, Playing Wednesday at the Roxy Cinema

MUBI’s June 2024 Lineup Features Ryusuke Hamaguchi, Abbas Kiarostami, Hirokazu Kore-eda & More

First Look at Benny Safdie’s The Smashing Machine Starring Dwayne Johnson and Emily Blunt

Jeff Nichols Will Adapt Cormac McCarthy’s The Passenger and Stella Maris

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“We Cut 95% of It Out”: Matt Johnson on Nirvanna the Band the Show the Movie, Constant Re-Editing, and Season 3

The Criterion Collection’s May Lineup Includes Akira Kurosawa, Bob Fosse, and Joachim Trier on 4K

First Look at Jane Schoenbrun’s Teenage Sex and Death at Camp Miasma, Set for August Release

NYC Weekend Watch: Diane Keaton, The Brown Bunny, 2001 In Cinema & More

Cashiers Du Cinéma Editors on Programming Their BAM Series and Celebrating Cinema Workers

Legendary Director Haile Gerima Returns in Exclusive Trailer for Black Lions – Roman Wolves, Premiering at Berlinale

Rotterdam Review: First Light is a Calm, Confident Debut

New to Streaming: Marty Supreme, Is This Thing On?, The Librarians, Happyend & More

The Best Movies Now Playing in Theaters

Good Luck, Have Fun, Don’t Die Review: Gore Verbinski Finally Returns with Refreshingly Madcap Adventure

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