When people call music cinematic, I think they just mean it sounds like it could be in a movie. About which, fair: being in a movie would do so. But the term i...
Note: This interview was originally published as part of our 2024 festival coverage. Afternoons of Solitude opens in theaters on June 27.
With Afternoons of...
To paraphrase Margaret O’Brien in Meet Me in St. Louis: Wasn’t I lucky to come of age in my favorite city? For one thing, my impressionable undergraduate years...
I've spent my offline hours producing The Jag, a new play that runs from June 21 to July 6 at the Brooklyn Center for Theatre Research. Even without some of my...
Anthony Dod Mantle has done more to advance digital photography than nearly any artist in any medium, a fact his humility rendered somewhat subtle during a car...
Love is a commodity in Materialists, the second feature from Past Lives writer-director Celine Song. Dakota Johnson plays Lucy, a matchmaker for an elite datin...
For as singular, unprecedented, non-pareil an artist David Lynch may have been, his complete vision would be achieved with a small band of trusted collaborator...
It’s a brisk March morning in Luxembourg and my conversation with Paul Laverty has turned to Cantona. “Remember that goal he scored, with Brian McClair?” A cla...
Bernardo Bertolucci’s Little Buddha returned to theaters this month in a 4K restoration ahead of a 4K UHD on July 22 from Kino Lorber. The film follows Jesse, ...
One of the key figures in Hong Kong cinema, Tsui Hark is a writer, actor, producer, and groundbreaking director. Born in Vietnam, he attended college in the US...
