In the heart of Western Europe, above the gorge of the Alzette river, sits Luxembourg City, a trash-free Eurotopia where the trams are free and the streets are...
Before now there has never been a full-length biography of Elaine May, the icon known for being one-half of Nichols and May and the director of A New Leaf, The...
Matthieu Laclau is a French editor who has been working in China and Taiwan since 2008. His collaboration with director Jia Zhangke in A Touch of Sin won him B...
Premiering at Sundance to rave reviews earlier this year, In a Violent Nature instantly set itself apart from the glut of recent independent horror films via i...
It might be too on-the-nose to call Saved! a minor miracle of a movie, but how else would you describe Brian Dannelly’s faith-centric satire? Since it was rele...
When it was announced Arnaud Desplechin's next feature Spectateurs! (titled the less-appealing Filmlovers! in English) would be a) a docu-fiction hybrid; b) ab...
Oh, to be one of the chosen. I guarantee this thought washes over every single person attending the Cannes Film Festival, at least at some point. It is a reali...
What kind of things does an obsessive documentarian like to watch in their free time? It's a question I was curious to ask John Wilson, a filmmaker who––over t...
In 1963 Paul Newman went to the Venice Film Festival for the Italian premiere of Martin Ritt’s Hud, a few months following its U.S. release, and sat down with ...
Rarely has a star been less visible than Jordi Mollà in Aggro Dr1ft. You could surmise this only knowing the film by random screenshots invariably featuring th...
