It may have taken nearly 25 years, but the typically admired Dardenne brothers have turned controversial and divisive--which, history tells us, is a common con...
Martin Scorsese gave ILM special effects supervisor Pablo Helman the script for The Irishman in 2015 on the set of Silence, and he was hooked. It took the visu...
Angela Schanelec’s films make extensive use of ellipses, and narratives often branch out to new characters without warning, but far from being challenging or c...
It’s the morning after the premiere of Tesla, the new film from Michael Almereyda starring his frequent collaborator Ethan Hawke as the titular inventor. I’m s...
In just three films, writer-director Eliza Hittman has crafted some of the most vivid, intimate coming-of-age dramas of the century thus far. Following 2013's ...
After making her acting debut at the beginning of the previous decade with Athina Rachel Tsangari’s Attenberg, Ariane Labed has carved out an impressive career...
Over the course of more than two decades Ukrainian filmmaker Sergei Loznitsa has quietly established himself amongst the great political filmmakers of the 21st...
When a filmmaker decides to tackle a story like Bombshell—which is set in the right-wing environs of Fox News—it helps to have a director who grew up in a cons...
Midway through our chat, Andrei Konchalovsky squints at his coffee and takes a brief pause. We’re in the restaurant of a cozy boutique hotel in Tallinn, Estoni...
