In Return to Seoul, director Davy Chou tells a moving story of fractured identity amidst a constantly changing world. It's through the eyes of Freddie (Park Ji...
For all the twists and turns in Sharper, what stands out the most is the film’s aesthetic: often beautiful to observe but also diverse in its rendering of diff...
“I’m a new filmmaker,” Linh Tran tells me at one point, with an emphasis on the word new, when talking about Waiting for the Light to Change. Born in Vietnam, ...
Hlynur Pálmason’s working methods push against traditional notions of filmmaking in almost every regard. He lives in a remote Icelandic village with his family...
Brandon Cronenberg shows no fear returning to images and themes popularized by his father David. Even the literary influences apparent in his work––Phillip K. ...
Jesse Eisenberg is exactly how you might expect. He’s anxious, speaking quickly with his hands, a slight tremble in his voice from a clear nervousness. In fact...
For five years, Canadian filmmaker Kyle Edward Ball’s YouTube channel “Bite-Sized Nightmares” has been showcasing shorts full of fuzzy video, distorted sound, ...
More than a century before the neverending stream of social media and its unrealistic expectations of beauty affected the ways in which people, especially wome...
Filmmakers are not their films, but Mia Hansen-Løve continues drawing the assumption. Her eighth feature, One Fine Morning, extends a series of semi-autobiogra...
With The Eternal Daughter, Joanna Hogg continues her method of cultivating an environment that allows dialogue to be discovered on set. A ghost story in a clas...
