Tomas (Franz Rogowski) seems to have it all: a career as a director, marriage to Martin (Ben Whishaw), and the freedom to pursue his desires as he wishes. In P...
First things first: I was kindly told not to ask Richard Kelly about any forthcoming projects. It will soon be 14 years since his much-better-than-you-remember...
I admitted upfront, still adjusting my seat in Criterion's New York office, that I don't really know how to interview actors––what their processes and poi...
It’s February morning in Berlin. “I’m a little out of consciousness,” Christian Petzold explains, a tad frazzled but keen to talk––and Petzold likes to talk. H...
It's a crisp morning in Nyon and Lucrecia Martel is going off on one. “To arrive at a meaning you need a sentence, so that is the word order," she begins, her ...
Picking up the pieces of her life after a terrorist attack in Paris, Mia (Virginie Efira, in a César-winning performance) attempts to reconcile fragmented memo...
As both his first western and first time with sci-fi, there's never been an entry into either genre that looks quite like what Wes Anderson conjured with Aster...
Having been responsible for some of the most iconic photographs since he picked up a camera nearly five decades ago, Anton Corbijn seamless transition to music...
As filmmaking gets further relegated to smaller screens, it's a breath of fresh air to have a director like Pietro Marcello crafting cinema that is best experi...
One of the year's most accomplished directorial debuts, Georgia Oakley’s deeply felt, grounded drama Blue Jean is set in 1988 England amidst Margaret Thatcher’...
